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PREVIOUSLY ON LOVE and HIP-HOP

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ATLANTA...

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HOW YOU THINK THIS WOULD

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LOOK TOGETHER TO DO A SONG

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TOGETHER?

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I THINK THAT'S AN

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EXCELLENT IDEA.

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JOSELINE IS RIDE OR DIE FOR

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HER MAN, STEVIE J.

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THAT WOULD BE MY MAN.

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I DON'T WANT TO HEAR THIS

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EVERY TIME I GO OUT.

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I WANT TO WORK WITH STEVIE.

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I AM STEVIE'S NUMBER ONE

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PRIORITY RIGHT NOW.

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WHERE DOES THIS LEAVE US?

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WE WORKING ON IT,

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GETTING IT RIGHT.

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AND ONLY YOU AND ONLY ME?

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YES.

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I WON'T BE DISRESPECTED

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AGAIN.

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I NEED IT JUST ON MY BACK

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AND MY LEGS.

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ON THE LEGS?

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LET'S GO IN THE HOUSE.

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SHAY IS MY BEST FRIEND.

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SHE ONE OF THEM BEST FRIENDS,

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YOU EVER LOOK AT, YOU BE LIKE,

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"DAMN."

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HAVE YOU HIT IT YET?

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I'M A GENTLEMAN,

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AND A GENTLEMAN NEVER TELLS.

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YOU GON' SIT UP AND PILLOW

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TALK WITH THE NEXT BITCH?

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I DON'T PILLOW TALK.

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I [bleep] BET YOU DID, 'CAUSE

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THIS BITCH IS PREGNANT BY YOU.

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FOR REAL, SON, HE AIN'T GONNA

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GIVE ME KISS.

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[squeals]

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WHAT HAPPENED?

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I SAID EXACTLY WHAT YOU

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JUST SAID.

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I'M NOT [bleep], BITCH.

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FOR REAL.

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HE WAS LIKE, "NO, BITCH,

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WHAT THE [bleep] DID YOU SAY?"

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BITCH?

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YES!

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IT'S ME, THE BITCH.

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[chuckles]

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IF I CUSS YOUR [bleep] OUT

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RIGHT NOW...

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WAIT A MINUTE. WAIT A MINUTE.

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WAIT A MINUTE.

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YOU TRYING TO [bleep]?

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SO WHAT'S THE PROBLEM?

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HO!

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JOSELINE'S SAYING I'M [bleep]

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ERICA?

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I DON'T EVEN KNOW THIS GIRL.

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WHO ARE YOU?

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I'M JOSELINE HERNANDEZ,

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BABY.

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OH, IRRELEVANT.

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I DON'T HAVE ANYTHING TO DO WITH

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STEVIE J.

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I DON'T EVEN KNOW HIM.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS THE LIFE

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♪ THIS IS THE LIFE

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♪ THIS THE LIFE

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♪ THIS IS THE LIFE

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ERICA WANTED ME TO MEET HER.

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I GUESS SHE GOT SOMETHING TO

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TELL ME AFTER THE FIGHT

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THE OTHER NIGHT.

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AND I PROBABLY OWE HER

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AN APOLOGY.

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I THOUGHT SHE HAD SEX

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WITH STEVIE.

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I THOUGHT HE SMASHED HER,

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BUT I GUESS I WAS WRONG.

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WHAT'S GOING ON, BABE?

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GLAD YOU DECIDED TO MEET

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WITH ME.

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I FEEL LIKE WE SHOULD TALK

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ABOUT THIS.

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OKAY.

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LET'S GO BACK.

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ME [bleep] STEVIE J.--LIKE,

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WHERE DID THAT COME FROM?

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IT WAS REALLY HONESTLY

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A MISTAKE.

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AND I THOUGHT THAT YOU GUYS HAD

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SEX BEFORE, SO...

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THAT'S WHY I SAID THAT.

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YOU KNOW, ME AND HIM HAD

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A CONVERSATION

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AND HE TOLD ME NO.

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I WAS LIKE, "OKAY, WELL, I HAD

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THE WRONG PERSON."

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AND I APOLOGIZE FOR THAT,

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'CAUSE IT SHOULD HAVE NEVER EVEN

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GOT THAT OUT OF LINE.

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YOU KNOW WHAT I'M SAYING?

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SO YOU TELLING ME THIS WHOLE

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ALTERCATION WENT DOWN BECAUSE

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YOU CONFUSING ME WITH

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ANOTHER BITCH?

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I DON'T KNOW HIM.

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I ONLY MET HIM AT K.'S PARTY,

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AND--[scoffs]

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STEVIE COULDN'T GET IT

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ON MY BAD DAY.

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SCRAPPY WAS ACTING LIKE HE

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WANTED TO FIGHT, LIKE, FOR WHAT?

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BUT THAT'S SCRAPPY.

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I CAME HERE TO DISCUSS

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WHAT YOU DID, WHICH I FELT WAS

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ALL OUT OF LINE AND OUT OF

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POCKET, AND WHICH YOU APOLOGIZE,

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AND WHICH IS COOL.

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I STILL DON'T LIKE YOU,

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JUST UNDERSTAND, FOR WHAT YOU

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DID, 'CAUSE YOU CAME INTO

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A SITUATION--

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THERE'S A LOT OF PEOPLE

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THAT DON'T LIKE ME.

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WELL, I JUST WANT TO MAKE IT

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CLEAR, THOUGH.

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YOU ENTITLED NOT TO LIKE ME.

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BUT WHEN YOU GUYS WAS TALKING

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BACK AND FORTH AND YOU GOT KIND

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OF LOUD AND PUT YOUR HANDS IN MY

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FACE, I FELT THREATENED.

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AND I HAD A ROUGH LIFE GROWING

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UP WITH PEOPLE, SO IT'S LIKE

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WHEN ANYBODY DO THIS TO ME,

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I'M THINKING LIKE,

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"WAIT A MINUTE.

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WHAT'S GOING ON?"

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YOU'RE NOT SUPPOSED TO DO THAT.

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WHAT IS THAT?

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DID I EVEN DO THAT TO YOU?

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HOW THE [bleep] YOU GONNA

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TELL ME WHAT TO DO?

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I DO WHAT I WANT TO DO.

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MY HANDS STILL MOVING.

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WHAT YOU DOING?

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SO I'MA GO AHEAD AND LET YOU

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GET THIS ONE.

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WE ALREADY KNOW WHAT WE CAN DO.

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I'M A GROWN WOMAN.

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I DON'T HAVE TIME FOR THIS.

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YOU HAVE ANYTHING ELSE TO SAY,

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HONEY?

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MM-MM, I SURE DON'T.

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OKAY.

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WELL, I GUESS...

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I'LL SEE YOU WHEN I SEE YOU.

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MAYBE ERICA DON'T LIKE ME

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EVEN THOUGH I APOLOGIZED TO HER

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BECAUSE MAYBE SHE'S JUST JEALOUS

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OF ME.

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SHE'S BEING A LITTLE HATER.

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[gentle piano music]

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♪

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I HAVE HAD IT WITH STEVIE.

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I'M PACKING UP HIS [bleep] SO I

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CAN GET IT OUT OF MY HOUSE.

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HE HAS PROVEN HE CAN'T BE

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FAITHFUL, SO I'M MOVING ON.

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* AS YOU'RE GONE

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♪ I'LL CARRY ON YEAH

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♪ I'LL BE STRONG FOR

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♪ HOWEVER LONG IT TAKES

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* TAKE ME BY THE HAND

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♪ T-T-TAKE ME HIGH

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♪ AND WE'LL BOTH LAND

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♪ MAKE THESE NIGHTS

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♪ JUST NEVER END

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MIMI!

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HEY, MA.

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WHAT ARE YOU DOING?

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I AM CLEANING HOUSE.

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I WOULD LOVE TO FIX MY

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RELATIONSHIP.

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WHO WOULDN'T?

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HE'S THE FATHER OF MY CHILD.

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LIKE, I WOULD LOVE IT TO WORK

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IF IT'S GONNA WORK.

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IF IT'S NOT GONNA WORK,

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THEN [bleep] IT.

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I DON'T KNOW THIS--THIS YOU.

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I JUST--THERE'S ONLY SO MUCH

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I CAN TAKE, AND I CAN'T HANDLE

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MY FAMILY AND SOMEONE ELSE.

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I CAN'T DO THAT.

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I MEAN, HE'S TEXT ME,

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AND HE'S APOLOGIZED,

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AND HE SAYS HE WANTS TO MAKE

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THIS WORK, BUT THE BOTTOM LINE

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IS, AS LONG AS HE KEEPS [bleep]

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WITH JOSELINE, I'M NOT [bleep]

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WITH HIM, PERIOD.

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ARE YOU HAPPY RIGHT NOW?

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LIKE, ARE YOU...

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NO, I'M NOT HAPPY.

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I'D BE SITTING HERE LYING IF

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I TOLD YOU I DON'T LOVE HIM AND

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ALL THIS.

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I'D BE LYING TO YOU.

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I LOVE HIM.

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I WOULD LIKE IT TO WORK,

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BUT UNDER THE CORRECT

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CIRCUMSTANCES.

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WE ALL KNOW HOW CHARISMATIC

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HE IS, AND WE KNOW THAT STEVIE

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IS VERY MANIPULATIVE.

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LIKE, HE HAS HELD ONTO YOU

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FOR THIS LONG.

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WHAT THE [bleep]?

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I CAN'T DO THIS ANYMORE.

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I'VE SEEN THIS HAPPEN

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SO MANY TIMES.

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IT'S ALL GOING WELL,

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THEN STEVIE GETS BORED ALL OF

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A SUDDEN AND JUST DOES HURTFUL

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[bleep] TO MIMI.

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BUT MIMI'S TO BLAME TOO.

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SHE'S ALWAYS THERE TO JUST TAKE

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HIM BACK AND WELCOME HIM BACK

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HOME WITH OPEN ARMS AS IF

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NOTHING EVER HAPPENED.

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I JUST KNOW YOU.

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YOU KNOW WHAT?

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WHAT DO YOU KNOW?

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I KNOW YOUR ASS WILL FALL

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VICTIM TO THE MANIPULATION.

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YOU HAVE NO FAITH IN ME.

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I DO HAVE FAITH IN YOU.

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THAT [bleep] SUCKS.

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I DO!

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NO, YOU DON'T.

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MIMI, I HAVE FAITH IN YOU--

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WELL, THEN STOP SAYING

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THAT [bleep].

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OKAY, WELL, BITCH,

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I GOT FAITH.

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I JUST WANT YOU TO REALLY DO IT.

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I GOT TO START SOMEWHERE.

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HELLO.

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AND I'MA KEEP IT MOVING.

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I JUST REALLY WANT YOU TO GET

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THIS [bleep] OUT OF HERE.

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LIKE, ARE YOU REALLY GONNA GET

273
00:06:10,700 --> 00:06:11,733
ALL THIS [bleep] OUT OF HERE.

274
00:06:11,733 --> 00:06:12,600
BABY, YOU SEE WHAT I'M DOING,

275
00:06:12,600 --> 00:06:13,633
RIGHT?

276
00:06:13,633 --> 00:06:15,633
YOU SEE WHAT I'M DOING.

277
00:06:20,767 --> 00:06:21,767
[fantastical hip-hop music]

278
00:06:21,767 --> 00:06:27,433
♪

279
00:06:27,433 --> 00:06:29,333
OH, MAMA'S BABY.

280
00:06:29,333 --> 00:06:30,467
HEY, MA.

281
00:06:30,467 --> 00:06:31,400
HOW YOU DOING?

282
00:06:31,400 --> 00:06:33,733
YESTERDAY MY SON HAD A REAL BAD

283
00:06:33,733 --> 00:06:34,667
ASTHMA ATTACK.

284
00:06:34,667 --> 00:06:37,267
AND WHEN I GOT TO THE HOSPITAL,

285
00:06:37,267 --> 00:06:38,667
HE WAS DOING BETTER,

286
00:06:38,667 --> 00:06:42,233
BUT HE KINDA DIDN'T SEEM RIGHT

287
00:06:42,233 --> 00:06:43,333
FROM THE HEART.

288
00:06:43,333 --> 00:06:45,367
SO I THOUGHT, "I'LL GO OVER

289
00:06:45,367 --> 00:06:46,833
TODAY AND CHECK ON HIM AND GET

290
00:06:46,833 --> 00:06:48,367
SOME CLARITY ABOUT HOW HE'S

291
00:06:48,367 --> 00:06:49,867
REALLY FEELING."

292
00:06:49,867 --> 00:06:51,467
YESTERDAY WAS A BIG SCARE.

293
00:06:51,467 --> 00:06:52,600
YOU SCARED ME TO DEATH.

294
00:06:52,600 --> 00:06:53,967
CRAZY, MA.

295
00:06:53,967 --> 00:06:56,600
JUST GOT REAL DRUNK, AND I WOKE

296
00:06:56,600 --> 00:06:59,167
UP JUST--I CAN'T BREATHE

297
00:06:59,167 --> 00:07:00,233
FOR NOTHING, YOU KNOW WHAT

298
00:07:00,233 --> 00:07:00,833
I'M SAYING?

299
00:07:00,833 --> 00:07:02,667
I'M TAKING THE PUMP, AND I'M

300
00:07:02,667 --> 00:07:04,333
SQUEEZING IT, BUT IT AIN'T DOING

301
00:07:04,333 --> 00:07:05,133
NOTHING.

302
00:07:05,133 --> 00:07:06,900
ERICA IS NOT ALL THE WAY OUT,

303
00:07:06,900 --> 00:07:07,567
SO I'M SAYING, "HEY,

304
00:07:07,567 --> 00:07:08,967
I CAN'T BREATHE."

305
00:07:08,967 --> 00:07:09,633
SHE GETTING UP.

306
00:07:09,633 --> 00:07:12,067
SHE TALKING TO HER WORK PEOPLE.

307
00:07:12,067 --> 00:07:13,233
SHE ON HER WAY OUT THE DOOR.

308
00:07:13,233 --> 00:07:14,233
I'M LIKE, "YO," YOU KNOW WHAT

309
00:07:14,233 --> 00:07:14,833
I'M SAYING?

310
00:07:14,833 --> 00:07:15,600
AND SHE LIKE, "HEY."

311
00:07:15,600 --> 00:07:16,700
ON HER WAY OUT THE DOOR?

312
00:07:16,700 --> 00:07:18,100
SHE CALLED THE HULK,

313
00:07:18,100 --> 00:07:19,567
TELLING HIM TO COME, YOU KNOW,

314
00:07:19,567 --> 00:07:20,467
TAKE ME TO THE HOSPITAL.

315
00:07:20,467 --> 00:07:22,133
HE SHOOTS ME DOWN.

316
00:07:22,133 --> 00:07:23,567
AND IT WAS LIKE I FEEL THE RUSH,

317
00:07:23,567 --> 00:07:24,500
YOU KNOW, LIKE...

318
00:07:24,500 --> 00:07:25,767
YEAH, NO OXYGEN'S GOING TO

319
00:07:25,767 --> 00:07:26,467
YOUR BRAIN.

320
00:07:26,467 --> 00:07:27,967
LIKE, SHE WANT ME TO DO

321
00:07:27,967 --> 00:07:28,733
SOMETHING, I DO IT.

322
00:07:28,733 --> 00:07:29,800
WHEN IT'S UP TO HER AND I NEED

323
00:07:29,800 --> 00:07:30,667
HER TO DO SOMETHING,

324
00:07:30,667 --> 00:07:33,067
SHE PUT WORK FIRST.

325
00:07:33,067 --> 00:07:34,667
ME AND ERICA, WE GOT TOGETHER

326
00:07:34,667 --> 00:07:35,800
AND TRY TO DO THIS THING OVER

327
00:07:35,800 --> 00:07:37,067
AGAIN, TRY TO MAKE IT WORK

328
00:07:37,067 --> 00:07:39,067
FOR THE BABY, YOU FEEL ME?

329
00:07:39,067 --> 00:07:40,133
BUT AT THE END OF THE DAY,

330
00:07:40,133 --> 00:07:41,300
YOU KNOW, I'M HAVING A ASTHMA

331
00:07:41,300 --> 00:07:42,967
ATTACK, FEELIN', "DOG, I'M

332
00:07:42,967 --> 00:07:43,867
GONNA DIE."

333
00:07:43,867 --> 00:07:45,400
IF THE AFFECTION IS THERE

334
00:07:45,400 --> 00:07:47,833
AND THE LOVE IS THERE, THEN SHE

335
00:07:47,833 --> 00:07:49,067
GONNA BE THERE, YOU FEEL ME?

336
00:07:49,067 --> 00:07:51,700
BUT SHE CALLED OUT TO HER JOB.

337
00:07:51,700 --> 00:07:52,633
HOW WOULD YOU HANDLE IT?

338
00:07:52,633 --> 00:07:54,600
LIKE, YOUR BABY DADDY,

339
00:07:54,600 --> 00:07:56,767
YOUR EX-HUSBAND--[coughs]--

340
00:07:56,767 --> 00:07:57,633
EXCUSE ME--YOUR--[coughs]--

341
00:07:57,633 --> 00:07:58,300
YOUR EX-HUSBAND...

342
00:07:58,300 --> 00:07:59,700
OH, MY GOODNESS.

343
00:07:59,700 --> 00:08:00,933
WHOEVER, WOULD YOU TELL

344
00:08:00,933 --> 00:08:02,233
SOMEBODY ELSE'S HOMEBOY

345
00:08:02,233 --> 00:08:02,833
TO DO IT?

346
00:08:02,833 --> 00:08:04,667
YOUR FATHER, YOU KNOW, EVEN

347
00:08:04,667 --> 00:08:05,867
THOUGH WE'RE NOT TOGETHER--

348
00:08:05,867 --> 00:08:07,067
WELL, I'D HAVE STAYED RIGHT

349
00:08:07,067 --> 00:08:08,233
THERE AND I WOULDN'T HAVE LEFT

350
00:08:08,233 --> 00:08:09,833
HIM UNTIL THE DOCTOR SAID HE WAS

351
00:08:09,833 --> 00:08:12,133
FEELING BETTER, BECAUSE WHEN YOU

352
00:08:12,133 --> 00:08:13,600
LOVE A MAN, YOU DON'T LEAVE

353
00:08:13,600 --> 00:08:14,367
HIS SIDE.

354
00:08:14,367 --> 00:08:15,700
CLEARLY SHE'S DISCONNECTED.

355
00:08:15,700 --> 00:08:16,833
AND YOU HAVE SOME DECISIONS TO

356
00:08:16,833 --> 00:08:18,567
MAKE, SON, AND I SUGGEST

357
00:08:18,567 --> 00:08:19,767
YOU GET TO IT.

358
00:08:19,767 --> 00:08:20,933
I RAISED YOU TO BE A STRONG

359
00:08:20,933 --> 00:08:22,267
BLACK MAN.

360
00:08:22,267 --> 00:08:23,067
I SUGGEST YOU DO THAT.

361
00:08:23,067 --> 00:08:23,867
I ALREADY MADE MY DECISION.

362
00:08:23,867 --> 00:08:24,633
OKAY.

363
00:08:24,633 --> 00:08:25,733
I JUST UNDERSTAND IT PROBABLY

364
00:08:25,733 --> 00:08:26,967
THE RIGHT THING TO DO.

365
00:08:26,967 --> 00:08:28,433
IT'S JUST LIKE--IT LIKE TELLING

366
00:08:28,433 --> 00:08:29,667
ME IN MY FACE, "IT AIN'T IT.

367
00:08:29,667 --> 00:08:30,467
IT AIN'T IT. IT AIN'T IT.

368
00:08:30,467 --> 00:08:31,233
IT AIN'T IT."

369
00:08:31,233 --> 00:08:32,233
YOU KNOW I GOT YOUR BACK.

370
00:08:32,233 --> 00:08:34,233
I BELIEVE IN YOU, SO...

371
00:08:34,233 --> 00:08:34,900
I APPRECIATE YOU

372
00:08:34,900 --> 00:08:35,767
FOR COMING OVER.

373
00:08:35,767 --> 00:08:36,500
YEAH, I LOVE YOU.

374
00:08:36,500 --> 00:08:37,967
MAMA ALWAYS BE THERE.

375
00:08:37,967 --> 00:08:38,967
ALWAYS.

376
00:08:38,967 --> 00:08:40,933
YEAH, YEAH.

377
00:08:40,933 --> 00:08:43,933
[indistinct]

378
00:08:43,933 --> 00:08:45,867
BUT I'M SAYING YOU LEFT HIM.

379
00:08:45,867 --> 00:08:46,933
YOU LEFT HIM FOR DEAD.

380
00:08:46,933 --> 00:08:48,433
IF YOU REALLY FELT LIKE THAT,

381
00:08:48,433 --> 00:08:49,233
THEN YOU SHOULD'VE--

382
00:08:49,233 --> 00:08:50,600
YOU LEFT MY CHILD FOR DEAD!

383
00:08:50,600 --> 00:08:52,067
WHAT'S GOING ON?

384
00:08:52,067 --> 00:08:52,767
WHAT'S THE MEETING ABOUT?

385
00:08:52,767 --> 00:08:53,633
YOU KNOW, YOU AND HER HOOKING

386
00:08:53,633 --> 00:08:55,167
UP, DOING A FEW SONGS TOGETHER.

387
00:08:55,167 --> 00:08:55,900
NO, I'M NOT WILLING

388
00:08:55,900 --> 00:08:56,567
TO DO THAT.

389
00:08:56,567 --> 00:08:57,433
WAIT A MINUTE. WAIT A MINUTE.

390
00:08:57,433 --> 00:08:58,167
YOU KNOW WHAT?

391
00:08:58,167 --> 00:08:59,067
WHY IS SHE DRIVING ALL OVER

392
00:08:59,067 --> 00:08:59,833
MY JOINTS?

393
00:08:59,833 --> 00:09:01,900
YOU SHOULD'VE PICKED IT UP.

394
00:09:06,300 --> 00:09:07,300
[dynamic hip-hop music]

395
00:09:07,300 --> 00:09:12,267
♪

396
00:09:12,633 --> 00:09:14,833
I WANTED TO TAKE MIMI OUT,

397
00:09:14,833 --> 00:09:15,700
YOU KNOW, JUST TO HAVE

398
00:09:15,700 --> 00:09:16,400
A GOOD TIME.

399
00:09:16,400 --> 00:09:18,800
I JUST REALLY WANTED TO SEE HOW

400
00:09:18,800 --> 00:09:19,967
SHE WAS FEELING.

401
00:09:19,967 --> 00:09:21,300
WHAT'S GOING ON?

402
00:09:21,300 --> 00:09:23,167
GIRL, I'M JUST OVER THIS

403
00:09:23,167 --> 00:09:25,533
WHOLE SITUATION.

404
00:09:25,533 --> 00:09:27,300
I'VE PACKED UP HIS STUFF.

405
00:09:27,300 --> 00:09:28,333
HE NEEDS TO COME GET IT.

406
00:09:28,333 --> 00:09:29,733
IF HE'S NOT GONNA COME GET IT,

407
00:09:29,733 --> 00:09:30,867
I'MA GO AHEAD

408
00:09:30,867 --> 00:09:31,533
AND GIVE IT TO HIM.

409
00:09:31,533 --> 00:09:32,467
HE GONNA USE IT AS

410
00:09:32,467 --> 00:09:33,500
AN EXCUSE.

411
00:09:33,500 --> 00:09:35,533
HE GONNA COME GET IT.

412
00:09:35,533 --> 00:09:36,500
IF HE COMES AND GETS IT,

413
00:09:36,500 --> 00:09:37,467
HE'S GETTING HIS STUFF,

414
00:09:37,467 --> 00:09:38,433
AND THAT'S THAT.

415
00:09:38,433 --> 00:09:39,100
PERIOD.

416
00:09:39,100 --> 00:09:40,200
HE NOT GONNA REACT TOO GOOD

417
00:09:40,200 --> 00:09:41,233
TO THAT, MIMI.

418
00:09:41,233 --> 00:09:42,533
MM, I DIDN'T REACT TOO GOOD

419
00:09:42,533 --> 00:09:43,933
ABOUT HIM GETTING THE NEXT ONE

420
00:09:43,933 --> 00:09:44,733
PREGNANT.

421
00:09:44,733 --> 00:09:46,067
I JUST WOULD LOVE TO BE

422
00:09:46,067 --> 00:09:48,267
A FLY ON THE WALL TO HEAR

423
00:09:48,267 --> 00:09:49,633
WHAT HE HAS TO SAY ABOUT

424
00:09:49,633 --> 00:09:50,400
ANY OF THAT.

425
00:09:50,400 --> 00:09:51,067
HE DOESN'T.

426
00:09:51,067 --> 00:09:52,600
HE JUST KEEPS--"I'MA FIX IT.

427
00:09:52,600 --> 00:09:54,067
I'M GONNA MAKE IT RIGHT."

428
00:09:54,067 --> 00:09:54,800
GIRL.

429
00:09:54,800 --> 00:09:56,067
AND THEN I GOT OLD GIRL

430
00:09:56,067 --> 00:09:57,067
SENDING ME THREATENING TEXT

431
00:09:57,067 --> 00:09:58,333
MESSAGES.

432
00:09:58,333 --> 00:09:59,267
IT'S JUST TOO MUCH.

433
00:09:59,267 --> 00:10:00,367
WHAT SHE GONNA THREATEN?

434
00:10:00,367 --> 00:10:01,100
WHAT IS SHE THREATENING?

435
00:10:01,100 --> 00:10:03,033
YOU KNOW, "YOU OLD GROUPIE

436
00:10:03,033 --> 00:10:04,400
SLUT BITCH" AND--

437
00:10:04,400 --> 00:10:05,367
WHAT?

438
00:10:05,367 --> 00:10:07,667
OH, BABY, IF I EVER TELL

439
00:10:07,667 --> 00:10:09,500
STEVIE ANYTHING ABOUT HER AGAIN,

440
00:10:09,500 --> 00:10:11,167
SHE GONNA MOP MY ASS.

441
00:10:11,167 --> 00:10:12,300
WHAT SHE CALLING YOU THAT

442
00:10:12,300 --> 00:10:13,433
AND SHE SLEEPING WITH YOUR MAN?

443
00:10:13,433 --> 00:10:14,500
WHAT IS THE PROBLEM?

444
00:10:14,500 --> 00:10:15,800
I BEEN ASKING THAT QUESTION.

445
00:10:15,800 --> 00:10:18,267
"WHY ARE YOU MAD?"

446
00:10:18,267 --> 00:10:19,467
BECAUSE WE CAN'T TELL IF SHE

447
00:10:19,467 --> 00:10:20,400
A MAN OR A WOMAN.

448
00:10:20,400 --> 00:10:21,533
I WOULD BE MAD TOO, BUT SHE

449
00:10:21,533 --> 00:10:22,567
GOT TO TAKE THAT UP WITH JESUS

450
00:10:22,567 --> 00:10:23,367
AND NOT YOU.

451
00:10:23,367 --> 00:10:24,367
[laughs]

452
00:10:24,367 --> 00:10:25,800
IF JOSELINE FEELS COMFORTABLE

453
00:10:25,800 --> 00:10:28,467
ENOUGH TO THREATEN ME OVER TEXT,

454
00:10:28,467 --> 00:10:29,767
IT'S OBVIOUS THEY'RE STILL

455
00:10:29,767 --> 00:10:30,700
[bleep].

456
00:10:30,700 --> 00:10:31,533
THAT'S WHY I'M DONE

457
00:10:31,533 --> 00:10:32,567
WITH THIS [bleep].

458
00:10:32,567 --> 00:10:35,067
AND JOSELINE AND STEVIE,

459
00:10:35,067 --> 00:10:36,700
Y'ALL CAN GO AHEAD WITH THAT.

460
00:10:36,700 --> 00:10:37,933
HAVE A GOOD LIFE.

461
00:10:37,933 --> 00:10:39,633
I CAN'T GO OUT NOWHERE WITHOUT,

462
00:10:39,633 --> 00:10:41,600
YOU KNOW, ALL OF THIS POPPIN'

463
00:10:41,600 --> 00:10:43,133
OFF AND RUNNIN' THEIR MOUTH

464
00:10:43,133 --> 00:10:45,467
ABOUT SEEING THIS, DID THAT,

465
00:10:45,467 --> 00:10:46,867
AND THIS AND THERE, AND WHAT?

466
00:10:46,867 --> 00:10:48,133
MIGHT RAISE UP ON THIS.

467
00:10:48,133 --> 00:10:52,533
I AM OVER KARLIE.

468
00:10:52,533 --> 00:10:54,933
I SAT THERE ON MY BIRTHDAY AND

469
00:10:54,933 --> 00:10:57,033
SAW THAT GIRL HURT YOUR FEELINGS

470
00:10:57,033 --> 00:10:58,067
AND HURT YOU.

471
00:10:58,067 --> 00:11:00,467
THEN MY SHOWCASE.

472
00:11:00,467 --> 00:11:01,767
AGAIN.

473
00:11:01,767 --> 00:11:02,933
THAT'S ANOTHER TIME WHEN I'M

474
00:11:02,933 --> 00:11:05,067
TRYING TO HAVE EVERYBODY JUST

475
00:11:05,067 --> 00:11:07,300
BE HAPPY, NO STRESS.

476
00:11:07,300 --> 00:11:09,133
WHO BROUGHT THE DRAMA?

477
00:11:09,133 --> 00:11:10,633
BESIDES STEVIE.

478
00:11:10,633 --> 00:11:11,833
[snorts]

479
00:11:11,833 --> 00:11:14,767
THIS TROPICAL BIRD

480
00:11:14,767 --> 00:11:17,333
HAS THE NERVE TO GO AND TELL

481
00:11:17,333 --> 00:11:19,167
MY PRODUCER,

482
00:11:19,167 --> 00:11:20,133
"YOU MESSIN' WITH THE WRONG

483
00:11:20,133 --> 00:11:21,200
ARTIST.

484
00:11:21,200 --> 00:11:22,600
YOU'LL SEE."

485
00:11:22,600 --> 00:11:24,500
I'M TIRED OF THE DISRESPECT.

486
00:11:24,500 --> 00:11:25,700
SHE'S TOO OLD FOR THIS.

487
00:11:25,700 --> 00:11:27,367
SENIOR CITIZENS SHOULD NOT ACT

488
00:11:27,367 --> 00:11:28,533
LIKE THAT.

489
00:11:28,533 --> 00:11:29,933
WHEN I SEE KARLIE,

490
00:11:29,933 --> 00:11:31,100
IT'S A PROBLEM.

491
00:11:31,100 --> 00:11:33,900
SO YOU CAN CALL HER AND TELL HER

492
00:11:33,900 --> 00:11:35,100
I NEED TO SEE HER.

493
00:11:35,100 --> 00:11:36,467
SO YOU WANT TO SPEAK TO HER?

494
00:11:36,467 --> 00:11:37,433
I'M GONNA SPEAK TO HER.

495
00:11:37,433 --> 00:11:38,100
OKAY.

496
00:11:38,100 --> 00:11:39,233
WHEN YOU COMING TO AN EVENT

497
00:11:39,233 --> 00:11:41,400
THAT I'M HAVING AND HURT

498
00:11:41,400 --> 00:11:42,900
SOMEBODY AND THEY GOT TO GO HOME

499
00:11:42,900 --> 00:11:44,433
IN PAIN, BOO-BOO, THIS AIN'T

500
00:11:44,433 --> 00:11:45,533
WHAT YOU WANT.

501
00:11:45,533 --> 00:11:47,367
I'M NOT NO BULLY, BUT WHAT

502
00:11:47,367 --> 00:11:48,967
YOU'RE NOT GONNA DO IS HINDER

503
00:11:48,967 --> 00:11:51,133
ANY HAPPINESS OVER HERE.

504
00:11:51,133 --> 00:11:52,600
I JUST WANT SOMEBODY TO HASH

505
00:11:52,600 --> 00:11:53,633
SOMETHING OUT.

506
00:11:53,633 --> 00:11:55,067
IF I CAN'T HASH OUT MINE,

507
00:11:55,067 --> 00:11:56,433
CAN WE AT LEAST HASH IT OUT

508
00:11:56,433 --> 00:11:57,233
WITH YOU?

509
00:11:57,233 --> 00:11:58,900
YOU GO AND HASH OUT YOURS.

510
00:11:58,900 --> 00:12:00,667
I'M GONNA HASH OUT MINE.

511
00:12:00,667 --> 00:12:02,300
HOW IT'S GONNA GET HASHED OUT

512
00:12:02,300 --> 00:12:03,733
IS ANOTHER THING.

513
00:12:03,733 --> 00:12:05,900
I'MA SET THIS UP.

514
00:12:05,900 --> 00:12:07,667
JUST CAN YOU PROMISE ME

515
00:12:07,667 --> 00:12:08,933
YOU BEHAVE?

516
00:12:08,933 --> 00:12:10,300
I WILL KEEP IT 100 WITH YOU

517
00:12:10,300 --> 00:12:12,400
AND TELL YOU THAT IF I HAD

518
00:12:12,400 --> 00:12:14,067
A FLASHBACK TO MY HEAD STARTED

519
00:12:14,067 --> 00:12:15,400
SPINNING, EVERYBODY NEED

520
00:12:15,400 --> 00:12:16,100
TO CLEAR THE ROOM.

521
00:12:16,100 --> 00:12:17,733
I BEEN DISRESPECTED.

522
00:12:17,733 --> 00:12:19,733
ALL RIGHT, GIRL.

523
00:12:27,433 --> 00:12:29,433
WHAT'S CRAY?

524
00:12:30,733 --> 00:12:32,200
SHAY AIN'T SEEN ME SINCE I BEEN

525
00:12:32,200 --> 00:12:32,967
IN THE HOSPITAL FOR

526
00:12:32,967 --> 00:12:34,233
MY ASTHMA ATTACK.

527
00:12:34,233 --> 00:12:36,233
SHE WAS DEFINITELY THERE FOR ME.

528
00:12:36,233 --> 00:12:37,300
I MEAN, SHE HIT MY PHONE UP

529
00:12:37,300 --> 00:12:39,533
100 TIMES, AND THEN SHE CAME

530
00:12:39,533 --> 00:12:41,067
THROUGH WHEN I ALLOWED HER TO.

531
00:12:41,067 --> 00:12:42,433
I MISS YOU.

532
00:12:42,433 --> 00:12:43,867
I MISS YOU TOO.

533
00:12:43,867 --> 00:12:45,067
YOU GOT TO BE MORE CAREFUL,

534
00:12:45,067 --> 00:12:46,300
LIKE, STRAIGHT UP.

535
00:12:46,300 --> 00:12:47,267
THAT'S SERIOUS.

536
00:12:47,267 --> 00:12:48,067
YOU COULD DIE FROM SOMETHING

537
00:12:48,067 --> 00:12:48,733
LIKE THAT.

538
00:12:48,733 --> 00:12:49,500
WHAT I'M TALKING ABOUT--

539
00:12:49,500 --> 00:12:50,233
I COULD NOT BREATHE

540
00:12:50,233 --> 00:12:51,233
IN THIS SON OF A BITCH.

541
00:12:51,233 --> 00:12:52,233
DON'T SCARE ME LIKE THAT

542
00:12:52,233 --> 00:12:53,067
NO MORE.

543
00:12:53,067 --> 00:12:53,767
LET ME ASK YOU SOMETHING,

544
00:12:53,767 --> 00:12:54,867
THOUGH.

545
00:12:54,867 --> 00:12:58,300
IF YOU HAD AN EX HAVE AN ASTHMA

546
00:12:58,300 --> 00:13:01,467
ATTACK, WOULD YOU AT LEAST GO

547
00:13:01,467 --> 00:13:04,900
SEE IF THE [bleep] OKAY?

548
00:13:04,900 --> 00:13:05,800
IT DEPENDS ON THE EXTENT

549
00:13:05,800 --> 00:13:06,700
OF THE RELATIONSHIP.

550
00:13:06,700 --> 00:13:08,200
I DID NOT BREATHE AT ALL.

551
00:13:08,200 --> 00:13:09,333
BUT YOU HAVE A CHILD, BUT SHE

552
00:13:09,333 --> 00:13:10,900
DON'T OWE YOU ANYTHING ELSE.

553
00:13:10,900 --> 00:13:12,533
NO, SHE DO OWE ME THAT.

554
00:13:12,533 --> 00:13:13,400
YOU'S TALKING ABOUT--

555
00:13:13,400 --> 00:13:14,200
'CAUSE I WOULD'VE DID IT

556
00:13:14,200 --> 00:13:14,867
FOR HER.

557
00:13:14,867 --> 00:13:15,567
AT THE END OF THE DAY,

558
00:13:15,567 --> 00:13:16,533
THAT'S HIS CHILD'S MOTHER,

559
00:13:16,533 --> 00:13:17,667
AND I UNDERSTAND HIS FEELINGS

560
00:13:17,667 --> 00:13:19,167
THAT HE EXPECTED HER TO BE THERE

561
00:13:19,167 --> 00:13:20,333
IN A SITUATION LIKE THAT,

562
00:13:20,333 --> 00:13:21,167
"LIFE OR DEATH."

563
00:13:21,167 --> 00:13:22,300
DUH, DUMMY.

564
00:13:22,300 --> 00:13:23,700
BUT LONG AS I WAS THERE AND I

565
00:13:23,700 --> 00:13:25,200
DID WHAT I HAD TO DO,

566
00:13:25,200 --> 00:13:26,067
AT THE END OF THE DAY, HE REALLY

567
00:13:26,067 --> 00:13:26,933
DIDN'T NEED YOU.

568
00:13:26,933 --> 00:13:27,733
WHAT'S THE EXTENT OF Y'ALL

569
00:13:27,733 --> 00:13:28,900
RELATIONSHIP RIGHT NOW?

570
00:13:28,900 --> 00:13:30,067
BABY MAMA, BABY DADDY,

571
00:13:30,067 --> 00:13:30,900
YOU FEEL ME?

572
00:13:30,900 --> 00:13:31,867
YOU DON'T DEAL WITH HER AT

573
00:13:31,867 --> 00:13:32,733
ALL AS FAR AS WITH

574
00:13:32,733 --> 00:13:33,733
THE RELATIONSHIP?

575
00:13:33,733 --> 00:13:34,800
I CAN'T DO IT.

576
00:13:34,800 --> 00:13:36,400
[laughs]

577
00:13:36,400 --> 00:13:37,233
I CAN'T DO IT.

578
00:13:37,233 --> 00:13:37,867
NOTHING AGAINST HER,

579
00:13:37,867 --> 00:13:38,867
YOU FEEL ME?

580
00:13:38,867 --> 00:13:40,833
SHE DON'T KNOW ABOUT...

581
00:13:40,833 --> 00:13:42,067
YEAH, NOTHING.

582
00:13:42,067 --> 00:13:42,733
NOTHING?

583
00:13:42,733 --> 00:13:44,067
[both laugh]

584
00:13:44,067 --> 00:13:44,667
I MEAN...

585
00:13:44,667 --> 00:13:46,133
OH, I MEAN, IT'S NOT

586
00:13:46,133 --> 00:13:48,233
A SECRET, THOUGH, RIGHT?

587
00:13:48,233 --> 00:13:49,067
NO.

588
00:13:49,067 --> 00:13:50,233
I KNOW SHE HAS TO BE AROUND,

589
00:13:50,233 --> 00:13:51,400
YOU KNOW WHAT I MEAN?

590
00:13:51,400 --> 00:13:52,500
'CAUSE OF THE BABY, SO I'M JUST

591
00:13:52,500 --> 00:13:53,800
ASKING 'CAUSE IF I'M DEALING

592
00:13:53,800 --> 00:13:55,533
WITH YOU, I'MA HAVE TO SOME TYPE

593
00:13:55,533 --> 00:13:56,400
OF WAY.

594
00:13:56,400 --> 00:13:57,400
I'LL HANDLE THAT,

595
00:13:57,400 --> 00:13:58,233
YOU KNOW WHAT I'M SAYING?

596
00:13:58,233 --> 00:14:00,367
'CAUSE I WOULD WANT SOMEBODY TO

597
00:14:00,367 --> 00:14:01,933
HANDLE IN THE RIGHT WAY WITH ME,

598
00:14:01,933 --> 00:14:03,533
SO I'M HANDLING THAT.

599
00:14:03,533 --> 00:14:04,533
I FEEL LIKE THE RELATIONSHIP

600
00:14:04,533 --> 00:14:05,867
WITH SCRAPPY AND ERICA IS

601
00:14:05,867 --> 00:14:07,567
NON-EXISTENT AT THIS POINT.

602
00:14:07,567 --> 00:14:08,433
IT'S NOT WORKING.

603
00:14:08,433 --> 00:14:09,433
IT WAS NEVER GONNA WORK BASED ON

604
00:14:09,433 --> 00:14:10,300
WHAT HE TOLD ME,

605
00:14:10,300 --> 00:14:11,933
AND IT'S JUST NOTHING.

606
00:14:11,933 --> 00:14:12,900
THERE'S NOTHING IN THE FUTURE.

607
00:14:12,900 --> 00:14:13,700
THERE'S NOTHING NOW.

608
00:14:13,700 --> 00:14:15,100
IT'S A WRAP. IT'S DONE.

609
00:14:15,100 --> 00:14:16,300
IF I CAN BE HAPPY WITH YOU,

610
00:14:16,300 --> 00:14:17,167
I'M COOL.

611
00:14:17,167 --> 00:14:18,433
I'M WITH IT.

612
00:14:18,433 --> 00:14:19,567
CAN YOU SEE YOURSELF WITH ME

613
00:14:19,567 --> 00:14:20,567
LIKE THAT?

614
00:14:20,567 --> 00:14:21,900
I CAN SEE IT, BUT...

615
00:14:21,900 --> 00:14:22,567
YOU CAN SEE IT.

616
00:14:22,567 --> 00:14:23,433
BUT SEE, THERE'S ALSO THAT

617
00:14:23,433 --> 00:14:26,067
OTHER SIZ-NAI-EE-ZIDE.

618
00:14:26,067 --> 00:14:28,167
I DON'T WANT TO SEE A LOT OF

619
00:14:28,167 --> 00:14:29,167
THAT OTHER SIDE THAT I KNOW

620
00:14:29,167 --> 00:14:31,967
ABOUT, EITHER, BUT IT DEPENDS ON

621
00:14:31,967 --> 00:14:33,533
WHO YOU WITH, TOO, BABY.

622
00:14:33,533 --> 00:14:34,533
YOU GOT TO GET TO KNOW ME

623
00:14:34,533 --> 00:14:35,900
ON THAT LEVEL.

624
00:14:35,900 --> 00:14:37,233
HE'S PERFECT IN MY EYES FOR

625
00:14:37,233 --> 00:14:38,233
WHAT I WANT.

626
00:14:38,233 --> 00:14:40,267
SO ALL YOU [bleep] THAT DON'T

627
00:14:40,267 --> 00:14:41,967
LIKE IT, EAT IT AND WEEP.

628
00:14:41,967 --> 00:14:44,267
HE'S MINE, BIZ-NAI-EE, HUH.

629
00:14:44,267 --> 00:14:46,267
[both laughing]

630
00:14:49,233 --> 00:14:51,233
WHY YOU LOOK SO CUTE TODAY?

631
00:14:51,233 --> 00:14:52,633
I DON'T KNOW.

632
00:14:52,633 --> 00:14:53,933
WHY YOU LOOK SO SEXY?

633
00:14:53,933 --> 00:14:54,733
I DON'T KNOW, BUT I WANT TO

634
00:14:54,733 --> 00:14:55,867
DO SOMETHING.

635
00:14:55,867 --> 00:14:57,133
[chuckles]

636
00:14:57,133 --> 00:14:58,700
YOU KNOW, I'M--

637
00:14:58,700 --> 00:15:01,200
[laughter]

638
00:15:01,200 --> 00:15:02,200
[confident hip-hop music]

639
00:15:02,200 --> 00:15:06,167
♪

640
00:15:06,167 --> 00:15:07,900
TODAY IS A BIG DAY FOR ME.

641
00:15:07,900 --> 00:15:09,067
I'M FINALLY MEETING WITH

642
00:15:09,067 --> 00:15:09,767
STEVIE J.

643
00:15:09,767 --> 00:15:11,867
I WANT HIM TO KNOW THAT WORKING

644
00:15:11,867 --> 00:15:14,567
WITH ME IS NOT A WASTE OF TIME.

645
00:15:14,567 --> 00:15:15,567
[rapping indistinctly]

646
00:15:15,567 --> 00:15:20,300
♪

647
00:15:20,300 --> 00:15:22,167
AFTER GOING BETWEEN HIS

648
00:15:22,167 --> 00:15:24,200
ARTIST AND HIS BABY MOTHER,

649
00:15:24,200 --> 00:15:26,200
I'M HAPPY TO FINALLY MEET WITH

650
00:15:26,200 --> 00:15:27,900
STEVIE J. HIMSELF.

651
00:15:27,900 --> 00:15:35,233
* LIKE A MILLIONAIRE

652
00:15:35,233 --> 00:15:36,467
♪ OOH

653
00:15:36,467 --> 00:15:37,667
YO, FELLAS, GIVE ME

654
00:15:37,667 --> 00:15:38,433
FIVE MINUTES.

655
00:15:38,433 --> 00:15:39,633
I NEED FIVE, MAN.

656
00:15:39,633 --> 00:15:40,900
KARLIE REDD ASKED ME TO PRODUCE

657
00:15:40,900 --> 00:15:42,600
HER THE FIRST TIME I MET HER,

658
00:15:42,600 --> 00:15:44,067
WHICH WAS COOL.

659
00:15:44,067 --> 00:15:45,367
THEN SHE TURNS AROUND AND RATS

660
00:15:45,367 --> 00:15:46,700
ME OUT TO MIMI.

661
00:15:46,700 --> 00:15:48,367
NOT SO COOL.

662
00:15:48,367 --> 00:15:49,067
WHAT YOU WORKING?

663
00:15:49,067 --> 00:15:49,733
WHAT YOU GOT?

664
00:15:49,733 --> 00:15:52,233
MY MANAGEMENT IS CASH MONEY,

665
00:15:52,233 --> 00:15:54,467
AND MY THING IS,

666
00:15:54,467 --> 00:15:55,500
I NEED A SINGLE.

667
00:15:55,500 --> 00:15:56,400
I DIDN'T REALLY WANT TO WORK

668
00:15:56,400 --> 00:15:57,333
WITH KARLIE AT FIRST,

669
00:15:57,333 --> 00:15:59,233
BUT CASH MONEY, THAT CHANGES

670
00:15:59,233 --> 00:16:00,300
THE GAME.

671
00:16:00,300 --> 00:16:01,333
AND I HAVE A FEW FRIENDS THAT

672
00:16:01,333 --> 00:16:02,400
WORK OVER THERE.

673
00:16:02,400 --> 00:16:03,300
AND I TALKED TO THEM ABOUT

674
00:16:03,300 --> 00:16:04,900
JOSELINE AND KARLIE DOING

675
00:16:04,900 --> 00:16:06,167
A RECORD TOGETHER.

676
00:16:06,167 --> 00:16:07,300
I BELIEVE IT'LL WORK OUT

677
00:16:07,300 --> 00:16:08,300
VERY WELL.

678
00:16:08,300 --> 00:16:10,300
NO ONE KNOWS WHO YOU ARE IF

679
00:16:10,300 --> 00:16:11,333
YOU DON'T HAVE THAT SINGLE.

680
00:16:11,333 --> 00:16:14,633
AND MY TEAM WON'T MOVE UNLESS

681
00:16:14,633 --> 00:16:16,633
I HAVE SOMETHING TO MOVE WITH.

682
00:16:16,633 --> 00:16:17,933
THEY WON'T BUDGE UNLESS--

683
00:16:17,933 --> 00:16:18,867
THAT'S COOL, 'CAUSE I GOT

684
00:16:18,867 --> 00:16:19,967
A TEAM THAT MOVE WHEN I SAY

685
00:16:19,967 --> 00:16:21,067
MOVE.

686
00:16:21,067 --> 00:16:22,200
BUT BEFORE WE DO, IT'S LIKE,

687
00:16:22,200 --> 00:16:23,600
YOU KNOW, I JUST WANT TO KNOW

688
00:16:23,600 --> 00:16:24,333
WHAT'S UP WITH ME AND YOU.

689
00:16:24,333 --> 00:16:25,433
ARE WE GOOD?

690
00:16:25,433 --> 00:16:26,533
YEAH.

691
00:16:26,533 --> 00:16:27,600
YOU SAYIN' YEAH, BUT IT'S

692
00:16:27,600 --> 00:16:28,833
LIKE EVERY TIME I GET WITH YOU,

693
00:16:28,833 --> 00:16:30,300
IT'S LIKE YOU TELLIN' THIS AND

694
00:16:30,300 --> 00:16:31,633
YOU SAYIN' THAT, AND, YOU KNOW,

695
00:16:31,633 --> 00:16:32,567
I JUST WANT TO ELIMINATE ALL

696
00:16:32,567 --> 00:16:33,367
THE BULL[bleep], THOUGH.

697
00:16:33,367 --> 00:16:34,067
ABSOLUTELY.

698
00:16:34,067 --> 00:16:34,867
YOU KNOW WHAT I'M SAYING?

699
00:16:34,867 --> 00:16:35,833
ALL OF THAT OTHER [bleep] GOT

700
00:16:35,833 --> 00:16:36,500
TO STOP.

701
00:16:36,500 --> 00:16:37,367
I WISH THEY WOULD STOP COMING

702
00:16:37,367 --> 00:16:38,067
TO ME WITH THE DRAMA.

703
00:16:38,067 --> 00:16:38,933
I'M TALKING ABOUT ME AND YOU,

704
00:16:38,933 --> 00:16:39,600
THOUGH, RIGHT NOW.

705
00:16:39,600 --> 00:16:40,333
ABSOLUTELY.

706
00:16:40,333 --> 00:16:41,100
YOU KNOW WHAT I'M SAYING?

707
00:16:41,100 --> 00:16:41,833
AND WE GOT THAT?

708
00:16:41,833 --> 00:16:42,933
WE GOT THAT UNDERSTANDING?

709
00:16:42,933 --> 00:16:43,900
I'LL DO WHATEVER IT TAKES TO

710
00:16:43,900 --> 00:16:45,333
GET IN THE STUDIO WITH STEVIE.

711
00:16:45,333 --> 00:16:46,233
I JUST NEED TO PROVE TO MY

712
00:16:46,233 --> 00:16:48,633
MANAGEMENT THAT I CAN DELIVER.

713
00:16:48,633 --> 00:16:49,933
YOU NEED THAT HIT RECORD.

714
00:16:49,933 --> 00:16:51,433
I'M--ALWAYS SAID, LIKE,

715
00:16:51,433 --> 00:16:52,900
"STEVIE J. CAN BRING IT."

716
00:16:52,900 --> 00:16:55,067
YOU KNOW, I GOT THAT FOR YOU.

717
00:16:55,067 --> 00:16:56,100
I JUST WANT TO SEE WHAT YOU GOT.

718
00:16:56,100 --> 00:16:56,833
I NEVER HEARD ANYTHING,

719
00:16:56,833 --> 00:16:57,500
YOU KNOW.

720
00:16:57,500 --> 00:16:58,333
THE WORLD IS YOUR STAGE,

721
00:16:58,333 --> 00:16:59,233
AND IT'S A BEAUTIFUL ONE

722
00:16:59,233 --> 00:16:59,900
RIGHT THERE.

723
00:16:59,900 --> 00:17:00,633
ABSOLUTELY.

724
00:17:00,633 --> 00:17:01,533
LET ME SEE WHAT YOU WORKING.

725
00:17:01,533 --> 00:17:02,300
LITTLE PERFORMANCE.

726
00:17:02,300 --> 00:17:03,067
YEAH, LET ME SEE WHAT

727
00:17:03,067 --> 00:17:03,700
YOU GOT.

728
00:17:03,700 --> 00:17:04,767
I DIDN'T KNOW I WAS GONNA BE

729
00:17:04,767 --> 00:17:06,433
AUDITIONING FOR STEVIE J.

730
00:17:06,433 --> 00:17:07,833
BUT THAT'S OKAY.

731
00:17:07,833 --> 00:17:09,200
I'M ALWAYS READY.

732
00:17:09,200 --> 00:17:10,200
[throbbing hip-hop music]

733
00:17:10,200 --> 00:17:17,433
♪ LOUIS, PRADA, GUCCI

734
00:17:17,433 --> 00:17:20,467
♪ HIDE THEM TAGS

735
00:17:20,467 --> 00:17:22,467
♪ I KNOW SOME HIGH CLASS

736
00:17:22,467 --> 00:17:23,600
♪ BOUGIE CHICKS

737
00:17:23,600 --> 00:17:25,067
♪ LIFT ASS TO A DATE

738
00:17:25,067 --> 00:17:26,333
♪ ON SOME MOVIE [bleep]

739
00:17:26,333 --> 00:17:28,167
♪ GOT THEM BLACK CARDS

740
00:17:28,167 --> 00:17:29,100
♪ UNLIMITED

741
00:17:29,100 --> 00:17:30,300
♪ COME TO ME

742
00:17:30,300 --> 00:17:31,700
♪ MY STYLE IS MEAN

743
00:17:31,700 --> 00:17:32,967
♪ I WANT THE BEST

744
00:17:32,967 --> 00:17:34,233
♪ OR BETTER

745
00:17:34,233 --> 00:17:35,967
HEY.

746
00:17:35,967 --> 00:17:38,233
* SO I DESERVE TO SPEND IT

747
00:17:38,233 --> 00:17:39,433
♪ ON WHATEVER

748
00:17:39,433 --> 00:17:42,067
♪ WHATEVER

749
00:17:42,067 --> 00:17:44,233
NOT BAD, NOT BAD.

750
00:17:44,233 --> 00:17:45,267
STEVIE TELLS ME TO COME IN

751
00:17:45,267 --> 00:17:46,400
AND, YOU KNOW, I SEE HER ONSTAGE

752
00:17:46,400 --> 00:17:47,100
DANCING.

753
00:17:47,100 --> 00:17:47,867
I'M LIKE, "WHAT THE HELL IS

754
00:17:47,867 --> 00:17:48,600
GOING ON?"

755
00:17:48,600 --> 00:17:49,433
SHE DOESN'T KNOW HOW TO DANCE.

756
00:17:49,433 --> 00:17:50,100
GET OVER IT.

757
00:17:50,100 --> 00:17:51,133
JUST BE SEXY IF YOU DON'T KNOW

758
00:17:51,133 --> 00:17:52,533
HOW TO DANCE.

759
00:17:52,533 --> 00:17:53,867
'SUP, MA?

760
00:17:53,867 --> 00:17:56,233
WHAT'S GOING ON?

761
00:17:56,233 --> 00:17:57,100
SHE DON'T WORK AS HARD AS ME.

762
00:17:57,100 --> 00:17:57,800
NOBODY WORK AS HARD AS ME.

763
00:17:57,800 --> 00:17:58,467
WOULD YOU LIKE ME

764
00:17:58,467 --> 00:17:59,133
TO TELL HER?

765
00:17:59,133 --> 00:17:59,800
AND YOU GONNA LET THEM

766
00:17:59,800 --> 00:18:00,733
[bleep] TAKE MY [bleep] WHEN I

767
00:18:00,733 --> 00:18:01,900
BE WORKING FOR IT?

768
00:18:01,900 --> 00:18:02,933
[bleep] THAT [bleep].

769
00:18:02,933 --> 00:18:06,200
I DON'T WANT TO DO THAT [bleep].

770
00:18:06,200 --> 00:18:07,667
IT AIN'T EVEN THAT SERIOUS.

771
00:18:07,667 --> 00:18:09,167
YOU AIN'T TELLING ME NOTHING.

772
00:18:09,167 --> 00:18:10,467
AND YOU ARE JEALOUS OF ME

773
00:18:10,467 --> 00:18:11,333
'CAUSE OF WHAT?

774
00:18:11,333 --> 00:18:12,400
WHY WOULD I BE JEALOUS?

775
00:18:12,400 --> 00:18:13,300
YOU OLD AS [bleep].

776
00:18:13,300 --> 00:18:15,233
YOU LOOK LIKE [bleep].

777
00:18:17,800 --> 00:18:18,800
[sassy hip-hop music]

778
00:18:18,800 --> 00:18:20,833
♪

779
00:18:20,833 --> 00:18:22,067
'SUP, MA?

780
00:18:22,067 --> 00:18:23,900
WHAT'S GOING ON?

781
00:18:23,900 --> 00:18:25,067
YOU KNOW, SHE'S LETTING ME

782
00:18:25,067 --> 00:18:26,967
HEAR HER MUSIC, AND JUST WANTED

783
00:18:26,967 --> 00:18:28,300
TO SEE HOW SHE ROCK.

784
00:18:28,300 --> 00:18:29,367
WHAT'S THE MEETING ABOUT?

785
00:18:29,367 --> 00:18:30,933
BASICALLY, YOU KNOW, YOU AND

786
00:18:30,933 --> 00:18:31,800
HER HOOKING UP, DOING A FEW

787
00:18:31,800 --> 00:18:33,400
SONGS TOGETHER.

788
00:18:33,400 --> 00:18:34,300
DID YOU RUN THAT BY ME

789
00:18:34,300 --> 00:18:35,333
BEFORE THIS, 'CAUSE I DIDN'T

790
00:18:35,333 --> 00:18:36,500
KNOW ANYTHING ABOUT THIS.

791
00:18:36,500 --> 00:18:38,867
I'M JUST FINDING THIS OUT.

792
00:18:38,867 --> 00:18:39,867
I'M RUNNING IT BY YOU NOW.

793
00:18:39,867 --> 00:18:40,800
WHY DON'T YOU HAVE A SEAT?

794
00:18:40,800 --> 00:18:41,633
WE'RE JUST HAVING A MEETING.

795
00:18:41,633 --> 00:18:42,700
I'M OKAY. I LIKE TO STAND UP.

796
00:18:42,700 --> 00:18:43,367
I'M COOL.

797
00:18:43,367 --> 00:18:44,133
JUST SIT DOWN, THOUGH.

798
00:18:44,133 --> 00:18:44,833
I MEAN, WE ALL SITTING

799
00:18:44,833 --> 00:18:45,733
IN THIS MEETING.

800
00:18:45,733 --> 00:18:46,900
IT'S LIKE A SIT-DOWN MEETING.

801
00:18:46,900 --> 00:18:49,367
I'M CONFUSED AT WHY I DIDN'T

802
00:18:49,367 --> 00:18:50,300
KNOW ABOUT THIS BEFORE IT

803
00:18:50,300 --> 00:18:51,700
HAPPENED.

804
00:18:51,700 --> 00:18:52,633
JUST SIT DOWN.

805
00:18:52,633 --> 00:18:53,500
LET ME TELL YOU WHAT'S GOING ON.

806
00:18:53,500 --> 00:18:54,500
YOU KNOW WHAT I'M SAYING?

807
00:18:54,500 --> 00:18:55,333
BUT IS IT GOOD BUSINESS TO BE

808
00:18:55,333 --> 00:18:57,133
DOING A SONG WITH A 40-YEAR-OLD

809
00:18:57,133 --> 00:18:58,300
THAT REALLY IS NOT DOING WHAT

810
00:18:58,300 --> 00:18:58,933
I'M DOING?

811
00:18:58,933 --> 00:19:00,567
WHERE YOU COMING AT?

812
00:19:00,567 --> 00:19:01,500
I JUST EXPLAINED TO HIM MY

813
00:19:01,500 --> 00:19:03,433
WHOLE AFFILIATION, SO...

814
00:19:03,433 --> 00:19:04,633
SHE--HER MANAGEMENT IS

815
00:19:04,633 --> 00:19:05,367
CASH MONEY.

816
00:19:05,367 --> 00:19:06,200
WHO IS SHE?

817
00:19:06,200 --> 00:19:06,867
SHE'S WITH THEM.

818
00:19:06,867 --> 00:19:08,567
OKAY, WELL, THEN SHE CAN BE

819
00:19:08,567 --> 00:19:09,233
WITH THEM.

820
00:19:09,233 --> 00:19:10,067
THEY ASK ME IF I CAN GET

821
00:19:10,067 --> 00:19:11,067
A FEW SONGS WITH YOU GUYS

822
00:19:11,067 --> 00:19:12,367
TOGETHER AND SEE WHAT IT SOUND

823
00:19:12,367 --> 00:19:13,067
LIKE.

824
00:19:13,067 --> 00:19:13,800
YOU KNOW, SO ARE YOU

825
00:19:13,800 --> 00:19:14,467
WILLING TO DO THAT?

826
00:19:14,467 --> 00:19:15,467
NO, NO, I'M NOT WILLING

827
00:19:15,467 --> 00:19:16,133
TO DO THAT.

828
00:19:16,133 --> 00:19:17,067
WAIT A MINUTE. WAIT A MINUTE.

829
00:19:17,067 --> 00:19:18,133
WHAT DO SHE DO?

830
00:19:18,133 --> 00:19:19,233
I MEAN, SHE'S A DANCER.

831
00:19:19,233 --> 00:19:19,900
SHE'S A SINGER.

832
00:19:19,900 --> 00:19:20,900
SHE'S AN ENTERTAINER.

833
00:19:20,900 --> 00:19:21,933
OKAY, WELL, WELL, I DON'T

834
00:19:21,933 --> 00:19:22,800
NEED NO BACKGROUND DANCER.

835
00:19:22,800 --> 00:19:23,700
WAIT A MINUTE. WAIT A MINUTE.

836
00:19:23,700 --> 00:19:24,533
WAIT A MINUTE.

837
00:19:24,533 --> 00:19:25,967
I NEED YOU TO DO THIS.

838
00:19:25,967 --> 00:19:27,067
NO.

839
00:19:27,067 --> 00:19:28,333
I WORK TOO HARD TO GET TO WHERE

840
00:19:28,333 --> 00:19:30,100
I'M AT TO JUST DO A SONG WITH

841
00:19:30,100 --> 00:19:31,067
HER JUST BECAUSE IT'S GREAT

842
00:19:31,067 --> 00:19:31,733
BUSINESS.

843
00:19:31,733 --> 00:19:32,533
WHAT ABOUT ME?

844
00:19:32,533 --> 00:19:33,267
WHAT ABOUT MY WORK?

845
00:19:33,267 --> 00:19:34,433
THIS IS ABOUT A BUSINESS, SO

846
00:19:34,433 --> 00:19:35,100
YOU PUT YOUR EMOTIONS

847
00:19:35,100 --> 00:19:35,800
TO THE SIDE.

848
00:19:35,800 --> 00:19:36,500
IT'S NOT EMOTIONS.

849
00:19:36,500 --> 00:19:37,433
THAT'S THE DIFFERENCE BETWEEN

850
00:19:37,433 --> 00:19:38,833
ME BEING IN THE MUSIC INDUSTRY

851
00:19:38,833 --> 00:19:39,933
FOR A LONG TIME, 'CAUSE I

852
00:19:39,933 --> 00:19:41,367
UNDERSTAND THE POLITICS.

853
00:19:41,367 --> 00:19:42,633
POLITICALLY IT'S A GREAT MOVE

854
00:19:42,633 --> 00:19:44,367
BECAUSE I RESPECT WHAT IT IS

855
00:19:44,367 --> 00:19:45,167
THAT CASH MONEY BRINGS TO

856
00:19:45,167 --> 00:19:45,867
THE TABLE...

857
00:19:45,867 --> 00:19:46,633
WELL, THEN, Y'ALL CAN GO

858
00:19:46,633 --> 00:19:47,400
AHEAD--WHY DON'T SHE GO DO

859
00:19:47,400 --> 00:19:48,233
A SONG WITH NICKI MINAJ?

860
00:19:48,233 --> 00:19:49,767
AIN'T SHE DOWN WITH CASH MONEY?

861
00:19:49,767 --> 00:19:50,567
WHY SHE GOT TO DO A SONG

862
00:19:50,567 --> 00:19:51,300
WITH ME?

863
00:19:51,300 --> 00:19:52,967
CALM DOWN, ALL RIGHT?

864
00:19:52,967 --> 00:19:54,433
I NEED YOU DO THIS FOR ME.

865
00:19:54,433 --> 00:19:56,200
WHAT YOU WANT TO TELL ME?

866
00:19:56,200 --> 00:19:57,567
I DO A SONG WITH HER

867
00:19:57,567 --> 00:19:58,367
BECAUSE OF YOU.

868
00:19:58,367 --> 00:19:59,367
ONE SONG, AND THAT'S ALL

869
00:19:59,367 --> 00:20:00,033
I'M DOING.

870
00:20:00,033 --> 00:20:00,700
COOL.

871
00:20:00,700 --> 00:20:01,700
THE ONLY REASON WHY I'M DOING

872
00:20:01,700 --> 00:20:02,733
THIS SONG WITH YOU IS BECAUSE

873
00:20:02,733 --> 00:20:04,067
I RESPECT HIM AND I'M LOYAL TO

874
00:20:04,067 --> 00:20:05,767
HIM AND I TRUST HIM.

875
00:20:05,767 --> 00:20:07,033
I RESPECT THE FACT THAT HE'S

876
00:20:07,033 --> 00:20:08,133
A PRODUCER, AND HE KNOWS

877
00:20:08,133 --> 00:20:09,400
WHAT HE'S DOING.

878
00:20:09,400 --> 00:20:10,067
I KNOW.

879
00:20:10,067 --> 00:20:11,500
I WORK WITH THIS MAN EVERY DAY.

880
00:20:11,500 --> 00:20:12,433
WE'LL KEEP IT MOVING.

881
00:20:12,433 --> 00:20:13,733
I APPRECIATE EVERYTHING.

882
00:20:13,733 --> 00:20:14,600
I JUST WANT TO GET Y'ALL

883
00:20:14,600 --> 00:20:15,300
IN THE STUDIO.

884
00:20:15,300 --> 00:20:17,300
YOU KNOW WHAT I'M SAYING?

885
00:20:17,300 --> 00:20:18,667
IT'S NOT FOR HER, TRUST ME,

886
00:20:18,667 --> 00:20:19,467
'CAUSE I DON'T LIKE HER.

887
00:20:19,467 --> 00:20:20,133
IT'S FOR US.

888
00:20:20,133 --> 00:20:21,033
IT'S ONLY FOR YOU.

889
00:20:21,033 --> 00:20:22,467
TRUST ME, I DON'T WANT TO DO

890
00:20:22,467 --> 00:20:23,767
THIS NO MORE THAN JOSELINE.

891
00:20:23,767 --> 00:20:25,400
JOSELINE NEEDS TO CHILL OUT,

892
00:20:25,400 --> 00:20:27,400
LET STEVIE J. DO HIS MAGIC

893
00:20:27,400 --> 00:20:28,767
SO WE CAN MAKE A HIT.

894
00:20:28,767 --> 00:20:29,667
SHE DON'T WORK AS HARD AS ME.

895
00:20:29,667 --> 00:20:30,367
NOBODY WORK AS HARD AS ME.

896
00:20:30,367 --> 00:20:31,033
WOULD YOU LIKE ME

897
00:20:31,033 --> 00:20:31,700
TO TELL HER?

898
00:20:31,700 --> 00:20:32,367
AND YOU GONNA LET THEM

899
00:20:32,367 --> 00:20:33,300
[bleep] TAKE MY [bleep] WHEN

900
00:20:33,300 --> 00:20:34,300
I BE WORKING FOR IT?

901
00:20:34,300 --> 00:20:34,900
I DON'T LIKE THAT.

902
00:20:34,900 --> 00:20:35,933
NO, I DON'T LIKE THAT.

903
00:20:35,933 --> 00:20:37,033
YOU DOING THIS [bleep] ON

904
00:20:37,033 --> 00:20:37,700
PURPOSE.

905
00:20:37,700 --> 00:20:38,467
YOU GONNA MAKE THIS BITCH--

906
00:20:38,467 --> 00:20:39,867
AIN'T RIGHT--IT ABOUT--

907
00:20:39,867 --> 00:20:40,567
[bleep] THAT [bleep].

908
00:20:40,567 --> 00:20:43,733
I DON'T WANT TO DO THAT [bleep].

909
00:20:43,733 --> 00:20:45,200
IT AIN'T EVEN THAT SERIOUS.

910
00:20:45,200 --> 00:20:46,133
IT'S ABOUT MAKING THIS

911
00:20:46,133 --> 00:20:47,367
CONNECTION, AND THAT'S ALL IT'S

912
00:20:47,367 --> 00:20:49,367
ABOUT, OKAY?

913
00:20:49,367 --> 00:20:50,333
THAT [bleep] AIN'T FAIR.

914
00:20:50,333 --> 00:20:51,300
YOU GOT ME WORKING HARD AS

915
00:20:51,300 --> 00:20:51,967
[bleep].

916
00:20:51,967 --> 00:20:52,867
LIFE AIN'T FAIR.

917
00:20:52,867 --> 00:20:53,900
SO CHOCK IT UP AS BUSINESS AND

918
00:20:53,900 --> 00:20:55,067
LET'S DO THE [bleep] WE GOT TO

919
00:20:55,067 --> 00:20:55,900
DO AND KEEP IT MOVING.

920
00:20:55,900 --> 00:20:57,100
YOU UNDERSTAND WHAT I'M SAYING?

921
00:20:57,100 --> 00:20:58,567
AND THAT'S THAT.

922
00:20:58,567 --> 00:20:59,467
COME ON.

923
00:20:59,467 --> 00:21:01,633
COME HERE.

924
00:21:01,633 --> 00:21:03,200
MALCOLM.

925
00:21:03,200 --> 00:21:04,500
YO, YOU HAVE TO COME OUT HERE,

926
00:21:04,500 --> 00:21:05,800
BECAUSE I NEED YOU TO MEET

927
00:21:05,800 --> 00:21:06,500
WITH STEVIE J.

928
00:21:06,500 --> 00:21:07,233
EXCUSE ME.

929
00:21:07,233 --> 00:21:08,433
HELLO, EXCUSE ME.

930
00:21:08,433 --> 00:21:09,367
HOW YOU DOING?

931
00:21:09,367 --> 00:21:10,867
HEY, I'MA CALL YOU BACK.

932
00:21:10,867 --> 00:21:11,667
HEY.

933
00:21:11,667 --> 00:21:12,367
CAN I TALK TO YOU

934
00:21:12,367 --> 00:21:13,067
FOR A MINUTE?

935
00:21:13,067 --> 00:21:14,233
SURE.

936
00:21:14,233 --> 00:21:15,100
HEY, DOUG, YOU WANT TO EXCUSE

937
00:21:15,100 --> 00:21:16,167
ME FOR A SECOND?

938
00:21:16,167 --> 00:21:16,833
HEY.

939
00:21:16,833 --> 00:21:17,500
HI, HOW ARE YOU?

940
00:21:17,500 --> 00:21:18,600
GOOD.

941
00:21:18,600 --> 00:21:19,433
I'M KARLIE.

942
00:21:19,433 --> 00:21:20,633
BENZINO. NICE TO MEET YOU.

943
00:21:20,633 --> 00:21:21,800
NICE TO MEET YOU TOO.

944
00:21:21,800 --> 00:21:23,133
MY NAME IS BENZINO.

945
00:21:23,133 --> 00:21:24,733
A LOT OF Y'ALL PROBABLY KNOW ME

946
00:21:24,733 --> 00:21:25,900
AS THE FORMER OWNER OF

947
00:21:25,900 --> 00:21:27,300
THE SOURCE MAGAZINE.

948
00:21:27,300 --> 00:21:28,333
I HAD SONGS OUT--

949
00:21:28,333 --> 00:21:29,300
BOOTY and ROCK THE PARTY,

950
00:21:29,300 --> 00:21:30,300
A LOT OF STUFF.

951
00:21:30,300 --> 00:21:32,367
BUT NOW I OWN HIP HOP WEEKLY.

952
00:21:32,367 --> 00:21:33,400
YEAH, I SEEN YOU IN THERE.

953
00:21:33,400 --> 00:21:34,767
YOU'RE INCREDIBLY BEAUTIFUL.

954
00:21:34,767 --> 00:21:35,633
THANK YOU.

955
00:21:35,633 --> 00:21:36,767
I SAW YOU ONSTAGE WITH STEVIE.

956
00:21:36,767 --> 00:21:37,567
YEAH, YEAH, YEAH.

957
00:21:37,567 --> 00:21:38,367
WE'RE DOING A THING, LIKE,

958
00:21:38,367 --> 00:21:39,100
THE BAND THING.

959
00:21:39,100 --> 00:21:39,767
REALLY?

960
00:21:39,767 --> 00:21:40,467
YEAH.

961
00:21:40,467 --> 00:21:41,133
OKAY.

962
00:21:41,133 --> 00:21:41,800
ARE YOU FROM HERE?

963
00:21:41,800 --> 00:21:42,500
I'M FROM TRINIDAD.

964
00:21:42,500 --> 00:21:43,400
FROM TRINIDAD?

965
00:21:43,400 --> 00:21:44,100
MM-HMM, MM-HMM.

966
00:21:44,100 --> 00:21:44,933
YEAH, THAT'S WHY YOU'RE SO

967
00:21:44,933 --> 00:21:45,633
BEAUTIFUL.

968
00:21:45,633 --> 00:21:46,333
THANK YOU.

969
00:21:46,333 --> 00:21:47,067
GOT THAT EXOTIC THING

970
00:21:47,067 --> 00:21:47,700
GOING ON.

971
00:21:47,700 --> 00:21:48,800
THANK YOU.

972
00:21:48,800 --> 00:21:50,933
BENZINO. GOT IT.

973
00:21:50,933 --> 00:21:52,467
ONSTAGE.

974
00:21:52,467 --> 00:21:54,200
I PUT TWO AND TWO TOGETHER,

975
00:21:54,200 --> 00:21:56,633
AND JUST RIGHT AWAY,

976
00:21:56,633 --> 00:21:57,600
THERE WAS A VIBE.

977
00:21:57,600 --> 00:21:58,633
THERE WAS A CONNECTION.

978
00:21:58,633 --> 00:22:00,167
AND FOR SOME--I FEEL--

979
00:22:00,167 --> 00:22:01,067
I FELT IT.

980
00:22:01,067 --> 00:22:01,833
[laughs]

981
00:22:01,833 --> 00:22:02,533
YOU'RE GORGEOUS.

982
00:22:02,533 --> 00:22:03,467
THANK YOU.

983
00:22:03,467 --> 00:22:04,367
DO YOU HAVE A MAN?

984
00:22:04,367 --> 00:22:05,067
I'M SURE YOU PROBABLY GOT

985
00:22:05,067 --> 00:22:05,967
SOMEONE.

986
00:22:05,967 --> 00:22:08,367
NO, I'M TOTALLY SINGLE.

987
00:22:08,367 --> 00:22:09,267
WHAT ABOUT YOU?

988
00:22:09,267 --> 00:22:10,633
NO, NO, I DON'T HAVE ANYBODY.

989
00:22:10,633 --> 00:22:11,633
COME ON, NOW. STOP.

990
00:22:11,633 --> 00:22:12,433
NO, FOR REAL.

991
00:22:12,433 --> 00:22:13,267
NO, DON'T MAKE ME BLUSH.

992
00:22:13,267 --> 00:22:14,800
DEFINITELY, NO, I'M SINGLE.

993
00:22:14,800 --> 00:22:15,733
ANTONIO AND I SPLIT UP

994
00:22:15,733 --> 00:22:16,733
A WHILE BACK.

995
00:22:16,733 --> 00:22:18,433
IT WASN'T A BAD BREAKUP.

996
00:22:18,433 --> 00:22:19,367
WE JUST DIDN'T HAVE MUCH

997
00:22:19,367 --> 00:22:20,300
IN COMMON.

998
00:22:20,300 --> 00:22:21,633
WE'RE GONNA REMAIN FRIENDS,

999
00:22:21,633 --> 00:22:23,333
AND I'M TOTALLY READY TO PLAY

1000
00:22:23,333 --> 00:22:24,300
THE FIELD AGAIN.

1001
00:22:24,300 --> 00:22:25,500
THINK MAYBE I COULD--YOU

1002
00:22:25,500 --> 00:22:26,300
KNOW, WE COULD GO OUT OR

1003
00:22:26,300 --> 00:22:26,933
SOMETHING?

1004
00:22:26,933 --> 00:22:27,667
TAKE YOU OUT?

1005
00:22:27,667 --> 00:22:28,800
I WOULD LOVE THAT.

1006
00:22:28,800 --> 00:22:29,667
REALLY?

1007
00:22:29,667 --> 00:22:30,600
IS THAT AN INVITE?

1008
00:22:30,600 --> 00:22:31,600
YEAH, OF COURSE, YOU KNOW,

1009
00:22:31,600 --> 00:22:32,800
IF YOU WOULD LIKE TO,

1010
00:22:32,800 --> 00:22:33,633
I WOULD LOVE TO.

1011
00:22:33,633 --> 00:22:34,400
WELL, MAYBE WE CAN EXCHANGE

1012
00:22:34,400 --> 00:22:35,067
NUMBERS.

1013
00:22:35,067 --> 00:22:35,733
ABSOLUTELY.

1014
00:22:35,733 --> 00:22:36,400
LET ME GET YOUR NUMBER.

1015
00:22:36,400 --> 00:22:37,067
YUP.

1016
00:22:37,067 --> 00:22:39,900
HE DEFINITELY MAKES ME

1017
00:22:39,900 --> 00:22:40,700
NERVOUS.

1018
00:22:40,700 --> 00:22:42,300
BENZINO HAS A CERTAIN SWAG

1019
00:22:42,300 --> 00:22:43,433
THAT I LIKE.

1020
00:22:43,433 --> 00:22:46,133
HE'S DEFINITELY MY TYPE.

1021
00:22:46,133 --> 00:22:46,933
I GUESS I'LL BE WAITING FOR

1022
00:22:46,933 --> 00:22:47,900
YOUR CALL.

1023
00:22:47,900 --> 00:22:48,700
MMKAY, I'LL TEXT YOU.

1024
00:22:48,700 --> 00:22:49,367
YEAH, IT WAS GREAT

1025
00:22:49,367 --> 00:22:50,100
MEETING YOU.

1026
00:22:50,100 --> 00:22:51,067
NICE TO MEET YOU TOO.

1027
00:22:51,067 --> 00:22:51,700
YOU'RE GORGEOUS.

1028
00:22:51,700 --> 00:22:52,600
THANK YOU. ALL RIGHT.

1029
00:22:52,600 --> 00:22:53,500
[chuckles]

1030
00:22:53,500 --> 00:22:55,167
YOU MAKE ME NERVOUS, KARLIE.

1031
00:22:55,167 --> 00:22:56,133
[laughs]

1032
00:22:56,133 --> 00:22:57,667
TAKE CARE, KARLIE.

1033
00:22:57,667 --> 00:22:58,533
ALL RIGHT. BYE.

1034
00:22:58,533 --> 00:22:59,200
BYE.

1035
00:22:59,200 --> 00:23:01,300
[exhales]

1036
00:23:04,067 --> 00:23:06,067
DAMN.

1037
00:23:09,100 --> 00:23:10,100
[aggressive hip-hop music]

1038
00:23:10,100 --> 00:23:15,600
♪

1039
00:23:15,600 --> 00:23:17,600
I CALLED ERICA TO MY HOUSE,

1040
00:23:17,600 --> 00:23:19,467
'CAUSE AFTER VISITING MY SON,

1041
00:23:19,467 --> 00:23:21,200
I THOUGHT WE NEEDED A REAL

1042
00:23:21,200 --> 00:23:23,333
WOMAN-TO-WOMAN TALK ABOUT HOW

1043
00:23:23,333 --> 00:23:24,933
SHE TREATED MY SON AND HOW SHE

1044
00:23:24,933 --> 00:23:26,467
LEFT HIM FOR DEAD.

1045
00:23:26,467 --> 00:23:27,933
BEFORE I ASK YOU THIS QUESTION,

1046
00:23:27,933 --> 00:23:29,067
I WANT TO KNOW HOW YOU AND

1047
00:23:29,067 --> 00:23:29,800
SCRAPPY ARE DOING.

1048
00:23:29,800 --> 00:23:31,867
WE OKAY.

1049
00:23:31,867 --> 00:23:34,300
I WOULD BELIEVE THAT,

1050
00:23:34,300 --> 00:23:36,700
BUT LAST WEEK, HE HAD

1051
00:23:36,700 --> 00:23:37,667
A ASTHMA ATTACK.

1052
00:23:37,667 --> 00:23:38,567
MM-HMM.

1053
00:23:38,567 --> 00:23:39,800
AND YOU WENT TO WORK,

1054
00:23:39,800 --> 00:23:41,433
AND YOU LEFT HIM.

1055
00:23:41,433 --> 00:23:43,067
I DIDN'T LEAVE HIM.

1056
00:23:43,067 --> 00:23:44,067
YOU LEFT HIM...

1057
00:23:44,067 --> 00:23:44,733
NO, I DIDN'T.

1058
00:23:44,733 --> 00:23:46,433
BECAUSE WHEN I GOT TO

1059
00:23:46,433 --> 00:23:47,400
THE EMERGENCY ROOM,

1060
00:23:47,400 --> 00:23:49,067
HE PUT THE 'MERGENCY ROOM

1061
00:23:49,067 --> 00:23:49,833
DOCTOR OUT.

1062
00:23:49,833 --> 00:23:51,467
HE PUT FRIENDS THAT WERE IN

1063
00:23:51,467 --> 00:23:52,933
THE ROOM OUT JUST TO PULL ME TO

1064
00:23:52,933 --> 00:23:54,433
THE SIDE AND SAY, "MOMMY, YOU

1065
00:23:54,433 --> 00:23:55,200
KNOW WHAT?

1066
00:23:55,200 --> 00:23:57,067
SHE ABANDONED ME."

1067
00:23:57,067 --> 00:23:58,167
THAT'S WHAT HE DID.

1068
00:23:58,167 --> 00:23:59,133
IT'S NOT FAIR THAT HE ACCUSED

1069
00:23:59,133 --> 00:24:00,567
ME OF ABANDONMENT, BECAUSE

1070
00:24:00,567 --> 00:24:01,800
WHEN I LOST OUR FIRST CHILD,

1071
00:24:01,800 --> 00:24:02,800
YOU UP AND LEFT.

1072
00:24:02,800 --> 00:24:03,800
YOU TOOK A FLIGHT AND GOT

1073
00:24:03,800 --> 00:24:04,633
THE HELL OUT.

1074
00:24:04,633 --> 00:24:05,400
WHO YOU LEAVIN' ME WITH?

1075
00:24:05,400 --> 00:24:06,833
YOUR HOMEBOY.

1076
00:24:06,833 --> 00:24:07,767
I LEFT YOU WITH SOMEBODY THAT

1077
00:24:07,767 --> 00:24:08,500
YOU KNEW THAT YOU WERE

1078
00:24:08,500 --> 00:24:09,367
COMFORTABLE WITH, AND I MADE

1079
00:24:09,367 --> 00:24:10,633
SURE THAT YOU GOT TO WHERE YOU

1080
00:24:10,633 --> 00:24:11,900
NEEDED TO GO.

1081
00:24:11,900 --> 00:24:12,867
YOU'RE ASTHMATIC.

1082
00:24:12,867 --> 00:24:14,967
YOU HAVE ASTHMA ATTACKS.

1083
00:24:14,967 --> 00:24:15,933
YOU DON'T GET IT.

1084
00:24:15,933 --> 00:24:17,533
WHEN YOU LOVE SOMEBODY, BOO,

1085
00:24:17,533 --> 00:24:18,600
YOU DON'T LEAVE THEM.

1086
00:24:18,600 --> 00:24:19,367
YOU SHOULDN'T HAVE LEFT

1087
00:24:19,367 --> 00:24:20,067
HIS SIDE.

1088
00:24:20,067 --> 00:24:20,800
MATTER FACT, THEY SHOULDN'T

1089
00:24:20,800 --> 00:24:21,467
HAVE TOOK HIM TO

1090
00:24:21,467 --> 00:24:22,133
THE EMERGENCY ROOM.

1091
00:24:22,133 --> 00:24:23,167
YOU SHOULDA TOOK HIM.

1092
00:24:23,167 --> 00:24:24,167
IT'S NOT LIKE HE WAS JUST

1093
00:24:24,167 --> 00:24:25,300
LEFT AT THE HOUSE BY HISSELF.

1094
00:24:25,300 --> 00:24:26,300
YOU REMEMBER WE HAD A TALK A

1095
00:24:26,300 --> 00:24:27,833
WHILE BACK ABOUT HOW SO

1096
00:24:27,833 --> 00:24:31,200
UNEMOTIONALLY AND DISATTACHED

1097
00:24:31,200 --> 00:24:32,067
THAT YOU ARE.

1098
00:24:32,067 --> 00:24:33,767
WAIT A MINUTE.

1099
00:24:33,767 --> 00:24:34,867
THAT'S WHY HE LEFT THE HOUSE.

1100
00:24:34,867 --> 00:24:36,067
THAT'S MY SON, FOOL.

1101
00:24:36,067 --> 00:24:36,933
I KNOW, BUT CALM DOWN.

1102
00:24:36,933 --> 00:24:37,700
THAT'S MY SON.

1103
00:24:37,700 --> 00:24:38,500
WHAT YOU MEAN, "CALM DOWN"?

1104
00:24:38,500 --> 00:24:39,167
RELAX.

1105
00:24:39,167 --> 00:24:40,067
NO, I'M NOT GONNA RELAX.

1106
00:24:40,067 --> 00:24:41,667
I CAN'T RELAX WHEN I ALMOST LOST

1107
00:24:41,667 --> 00:24:42,700
MY SON.

1108
00:24:42,700 --> 00:24:43,900
YOU CAN'T GIVE NO ADVICE.

1109
00:24:43,900 --> 00:24:45,367
IT'S LIKE TWO, THREE FAILED

1110
00:24:45,367 --> 00:24:47,567
MARRIAGES, SEVERAL FAILED

1111
00:24:47,567 --> 00:24:48,833
RELATIONSHIPS.

1112
00:24:48,833 --> 00:24:49,667
THIS IS WHAT YOUR SON SEES,

1113
00:24:49,667 --> 00:24:51,300
SO...

1114
00:24:51,300 --> 00:24:52,800
IN MY EYES, HE KNOWS

1115
00:24:52,800 --> 00:24:53,767
NO DIFFERENT.

1116
00:24:53,767 --> 00:24:54,733
YOU CAN TALK TO ME ABOUT IT,

1117
00:24:54,733 --> 00:24:55,600
BUT YOU DON'T CHECK ME.

1118
00:24:55,600 --> 00:24:56,467
I'M NOT YOUR CHILD.

1119
00:24:56,467 --> 00:24:57,800
I'M GONNA CHECK THAT.

1120
00:24:57,800 --> 00:24:59,400
NO, YOU'RE NOT MY CHILD.

1121
00:24:59,400 --> 00:25:01,133
BUT YOU SAID YOU LOVED MY CHILD.

1122
00:25:01,133 --> 00:25:02,200
I DO, BUT YOU DON'T CHECK ME,

1123
00:25:02,200 --> 00:25:02,867
BOO.

1124
00:25:02,867 --> 00:25:03,867
YOU LEFT HIM.

1125
00:25:03,867 --> 00:25:05,133
YOU LEFT HIM FOR DEAD.

1126
00:25:05,133 --> 00:25:08,200
YOU LEFT HIM FOR DEAD!

1127
00:25:08,200 --> 00:25:10,500
YOU LEFT MY CHILD FOR DEAD!

1128
00:25:10,500 --> 00:25:12,500
IT'S OVER BETWEEN HIM AND ERICA.

1129
00:25:12,500 --> 00:25:14,067
FOR HER TO GO TO WORK AND LEAVE

1130
00:25:14,067 --> 00:25:16,067
HIM FOR DEAD,

1131
00:25:16,067 --> 00:25:18,367
CLEARLY, THERE'S NO LOVE.

1132
00:25:18,367 --> 00:25:20,167
IT WON'T BE NO LOVE LOST,

1133
00:25:20,167 --> 00:25:21,200
NOT WHEN YOU'RE MESSING WITH

1134
00:25:21,200 --> 00:25:22,633
MAMA'S SON.

1135
00:25:22,633 --> 00:25:25,900
CLEARLY HE DOESN'T FEEL LOVED,

1136
00:25:25,900 --> 00:25:26,700
AND THAT'S FROM...

1137
00:25:26,700 --> 00:25:27,533
FROM THE INSTANT THAT

1138
00:25:27,533 --> 00:25:28,700
THAT HAPPENED.

1139
00:25:28,700 --> 00:25:29,767
THAT'S WHY HE MOVED

1140
00:25:29,767 --> 00:25:30,933
THE [bleep] OUT.

1141
00:25:30,933 --> 00:25:32,067
OKAY.

1142
00:25:32,067 --> 00:25:33,100
AND YOU KNOW WHAT I TOLD YOU

1143
00:25:33,100 --> 00:25:34,067
A LONG TIME AGO.

1144
00:25:34,067 --> 00:25:35,167
IF I WERE YOU, WHEN IT COME DOWN

1145
00:25:35,167 --> 00:25:37,500
TO MY SON, I WOULDN'T TRUST ME.

1146
00:25:39,400 --> 00:25:40,467
LOOK AT ALL THE [bleep] YOU

1147
00:25:40,467 --> 00:25:41,200
PUT ME THROUGH.

1148
00:25:41,200 --> 00:25:42,100
HOLD ON, HOLD ON, CALM DOWN.

1149
00:25:42,100 --> 00:25:42,900
NO, YOU DON'T TELL ME TO

1150
00:25:42,900 --> 00:25:43,700
[bleep] CALM DOWN.

1151
00:25:43,700 --> 00:25:44,533
I SAY WHAT THE [bleep] I WANT TO

1152
00:25:44,533 --> 00:25:45,433
SAY, HOW I WANT TO SAY IT.

1153
00:25:45,433 --> 00:25:46,433
AND I'M HEATED RIGHT NOW SO I'MA

1154
00:25:46,433 --> 00:25:47,967
SAY IT HOW I WANT TO SAY IT.

1155
00:25:47,967 --> 00:25:49,367
BRING IT DOWN, 'CAUSE MY HEAD

1156
00:25:49,367 --> 00:25:50,433
WILL START SPINNING, AND I'LL

1157
00:25:50,433 --> 00:25:52,067
CHOP YOU IN YOUR TRACHEALA.

1158
00:25:52,067 --> 00:25:53,567
TRY IT. TRY IT.

1159
00:25:53,567 --> 00:25:54,367
WHOO!

1160
00:25:54,367 --> 00:25:55,433
IT'S NOT A GOOD THING.

1161
00:25:55,433 --> 00:25:56,800
THIS BITCH IS SHAKING

1162
00:25:56,800 --> 00:25:58,800
THE TABLE!

1163
00:26:02,267 --> 00:26:03,267
[dramatic hip-hop music]

1164
00:26:03,267 --> 00:26:09,267
♪

1165
00:26:12,733 --> 00:26:13,900
WHEN SCRAPPY ASKED TO MEET

1166
00:26:13,900 --> 00:26:15,233
UP, I REALLY JUST THOUGHT WE WAS

1167
00:26:15,233 --> 00:26:16,333
GONNA HAVE A CONVERSATION, LIKE,

1168
00:26:16,333 --> 00:26:17,167
WHEN HE WAS WANTS TO TALK,

1169
00:26:17,167 --> 00:26:19,467
EVERYTHING COMES OUT.

1170
00:26:19,467 --> 00:26:20,967
EVEN THE STUFF FROM FIVE YEARS

1171
00:26:20,967 --> 00:26:22,333
AGO COMES BACK OUT.

1172
00:26:22,333 --> 00:26:23,100
SO I FIGURED IT WAS GONNA BE ONE

1173
00:26:23,100 --> 00:26:24,733
OF THOSE KIND OF CONVERSATIONS.

1174
00:26:24,733 --> 00:26:25,533
REMEMBER WHEN I TOLD YOU--

1175
00:26:25,533 --> 00:26:26,700
I WAS LIKE, "I'M A GROWN MAN.

1176
00:26:26,700 --> 00:26:27,633
I TELL YOU WHAT I WANT,

1177
00:26:27,633 --> 00:26:28,400
WHAT I NEED.

1178
00:26:28,400 --> 00:26:29,100
YOU TELL ME WHAT YOU WANT,

1179
00:26:29,100 --> 00:26:29,933
WHAT YOU NEED,

1180
00:26:29,933 --> 00:26:32,067
AND WE TRY TO WORK ON IT"?

1181
00:26:32,067 --> 00:26:34,067
BUT...

1182
00:26:34,533 --> 00:26:35,333
I DON'T THINK YOU WANT

1183
00:26:35,333 --> 00:26:35,967
TO DO THAT.

1184
00:26:35,967 --> 00:26:37,900
NOT COMING TO SEE ME IN

1185
00:26:37,900 --> 00:26:40,333
THE HOSPITAL, NOT SEEING ME

1186
00:26:40,333 --> 00:26:41,433
TO THE HOSPITAL.

1187
00:26:41,433 --> 00:26:42,667
I WAS ALREADY LOOKING FOR HER TO

1188
00:26:42,667 --> 00:26:43,767
SHOW ME MORE,

1189
00:26:43,767 --> 00:26:45,333
AND THAT'S SHOWING YOU.

1190
00:26:45,333 --> 00:26:46,067
YOUR MOTHER STRESSED

1191
00:26:46,067 --> 00:26:46,667
THE ISSUE, SAYING

1192
00:26:46,667 --> 00:26:47,333
I ABANDONED YOU.

1193
00:26:47,333 --> 00:26:48,100
AT THE END OF THE DAY,

1194
00:26:48,100 --> 00:26:49,067
THAT'S WHAT WAS HAPPENING.

1195
00:26:49,067 --> 00:26:50,467
I'M SITTING THERE, TEARS COMING

1196
00:26:50,467 --> 00:26:51,333
DOWN FROM MY EYES,

1197
00:26:51,333 --> 00:26:52,233
AND I CAN'T BREATHE.

1198
00:26:52,233 --> 00:26:53,333
I'M LIKE, "WOW," LIKE,

1199
00:26:53,333 --> 00:26:53,967
AND THE ONLY THING--

1200
00:26:53,967 --> 00:26:54,700
TEARS WAS COMING OUT

1201
00:26:54,700 --> 00:26:55,367
YOUR EYES?

1202
00:26:55,367 --> 00:26:56,100
AND YOU THE ONLY ONE THAT

1203
00:26:56,100 --> 00:26:57,100
DIDN'T SEE 'EM.

1204
00:26:57,100 --> 00:26:58,533
THIS IS NOTHING NEW TO ME.

1205
00:26:58,533 --> 00:26:59,800
YOU KNOW, HE'S ASTHMATIC.

1206
00:26:59,800 --> 00:27:01,100
HE HAS ASTHMA ATTACKS.

1207
00:27:01,100 --> 00:27:03,233
I GET READY AND I GO TO WORK,

1208
00:27:03,233 --> 00:27:05,267
AND HE'S MAD AT ME,

1209
00:27:05,267 --> 00:27:06,567
AND I'M STILL CONFUSED AS TO

1210
00:27:06,567 --> 00:27:07,633
WHY, BECAUSE I STILL HAVE TO

1211
00:27:07,633 --> 00:27:09,133
MAKE MY MONEY TO TAKE CARE

1212
00:27:09,133 --> 00:27:10,200
OF OUR DAUGHTER.

1213
00:27:10,200 --> 00:27:11,167
AND I'M NOT GONNA START

1214
00:27:11,167 --> 00:27:12,533
BABYSITTING SCRAPPY BECAUSE HE

1215
00:27:12,533 --> 00:27:14,333
GOT WASTED THE NIGHT BEFORE.

1216
00:27:14,333 --> 00:27:15,100
I CAN'T SAY THAT YOU'RE

1217
00:27:15,100 --> 00:27:16,067
A BAD PERSON.

1218
00:27:16,067 --> 00:27:17,067
I THINK YOU GOT LOVE IN YOUR

1219
00:27:17,067 --> 00:27:18,700
HEART, BUT YOU DON'T HAVE THAT

1220
00:27:18,700 --> 00:27:19,667
EMOTION WITH YOU.

1221
00:27:19,667 --> 00:27:20,900
YOU HAVE SOME EMOTION WHAT YOU

1222
00:27:20,900 --> 00:27:21,967
FEEL LIKE YOU SHOULD CARE FOR.

1223
00:27:21,967 --> 00:27:23,333
NO, OKAY, SO YOU'RE USING

1224
00:27:23,333 --> 00:27:24,533
THAT AS JUSTIFICATION?

1225
00:27:24,533 --> 00:27:25,867
WHEN YOU BE REAL TO YOURSELF,

1226
00:27:25,867 --> 00:27:28,333
AND YOU OWN UP TO YOUR FEELINGS

1227
00:27:28,333 --> 00:27:29,167
AND WHAT YOU GO THROUGH

1228
00:27:29,167 --> 00:27:30,467
AND WHAT YOU HAVE BEEN THROUGH,

1229
00:27:30,467 --> 00:27:31,333
AND UNDERSTAND THAT YOU'RE

1230
00:27:31,333 --> 00:27:32,800
DETACHED FROM THOSE FEELINGS--

1231
00:27:32,800 --> 00:27:33,600
I'M NOT DETACHED.

1232
00:27:33,600 --> 00:27:34,333
YOU ARE DETACHED FROM

1233
00:27:34,333 --> 00:27:35,333
YOUR FEELINGS, AND THAT'S WHY

1234
00:27:35,333 --> 00:27:36,067
I DON'T WANT TO DO THAT.

1235
00:27:36,067 --> 00:27:36,900
SO WHY YOU BEEN COMING BACK?

1236
00:27:36,900 --> 00:27:38,133
IF I'M SO DETACHED, TEN YEARS ON

1237
00:27:38,133 --> 00:27:38,967
AND OFF, WHY DO YOU KEEP

1238
00:27:38,967 --> 00:27:39,667
COMING BACK?

1239
00:27:39,667 --> 00:27:40,467
I BE TRYING HOPING THAT--

1240
00:27:40,467 --> 00:27:41,333
IF I'M SO DETACHED--

1241
00:27:41,333 --> 00:27:42,167
HOPING THAT IT WORK ONE DAY,

1242
00:27:42,167 --> 00:27:43,133
HOPING THAT YOU COME TO, AND

1243
00:27:43,133 --> 00:27:43,933
THAT'S WHAT I AM NOT GONNA DO.

1244
00:27:43,933 --> 00:27:44,767
IT DOESN'T MAKE SENSE.

1245
00:27:44,767 --> 00:27:45,667
THAT'S WHY I DON'T WANT TO

1246
00:27:45,667 --> 00:27:47,133
SIT HERE--I DON'T WANT TO SIT

1247
00:27:47,133 --> 00:27:48,067
HERE AND WAITING MY WHOLE LIFE

1248
00:27:48,067 --> 00:27:48,733
FOR YOU TO GET...

1249
00:27:48,733 --> 00:27:49,567
YOU DON'T HAVE TO WAIT YOUR

1250
00:27:49,567 --> 00:27:50,333
WHOLE LIFE.

1251
00:27:50,333 --> 00:27:51,100
ATTACHED TO YOUR EMOTIONS.

1252
00:27:51,100 --> 00:27:52,333
YOU JUST NEED SOMETHING,

1253
00:27:52,333 --> 00:27:53,100
AND IF THAT'S WHAT YOU WANT TO

1254
00:27:53,100 --> 00:27:54,367
USE AND THAT'S JUST COOL, 'CAUSE

1255
00:27:54,367 --> 00:27:55,433
THAT JUST GOES TO SHOW WHAT TYPE

1256
00:27:55,433 --> 00:27:56,600
OF PERSON YOU REALLY ARE.

1257
00:27:56,600 --> 00:27:57,333
WHAT TYPE OF PERSON I AM?

1258
00:27:57,333 --> 00:27:58,333
IT JUST REVEALS, YES.

1259
00:27:58,333 --> 00:28:00,067
WHEN YOU DOWN AND OUT, "OH, BABY

1260
00:28:00,067 --> 00:28:01,067
MAMA ERICA, WHERE YOU AT?

1261
00:28:01,067 --> 00:28:01,767
I NEED YA, I NEED YA,

1262
00:28:01,767 --> 00:28:02,433
I NEED YA."

1263
00:28:02,433 --> 00:28:04,267
AS SOON AS YOU COME BACK DOWN TO

1264
00:28:04,267 --> 00:28:06,233
GROUND ZERO, REALIZATION, THEN

1265
00:28:06,233 --> 00:28:06,900
IT'S, "YOU KNOW WHAT?

1266
00:28:06,900 --> 00:28:07,733
I'M SORRY."

1267
00:28:07,733 --> 00:28:09,400
LET ME GO BACK, THEN.

1268
00:28:09,400 --> 00:28:11,067
I REMEMBER WHEN--YOU REMEMBER

1269
00:28:11,067 --> 00:28:12,467
WHEN I WAS SAYING I WAS TRYING

1270
00:28:12,467 --> 00:28:15,333
TO GET--GET YOU TO BE "MY GIRL"

1271
00:28:15,333 --> 00:28:16,900
NOT JUST MY BABY MAMA, NOT JUST

1272
00:28:16,900 --> 00:28:18,167
A FRIEND THAT LET ME

1273
00:28:18,167 --> 00:28:19,100
IN WHEN ALL--

1274
00:28:19,100 --> 00:28:19,900
BUT LOOK AT THE [bleep]

1275
00:28:19,900 --> 00:28:20,633
YOU PUT ME THROUGH.

1276
00:28:20,633 --> 00:28:21,500
HOLD ON, HOLD ON, CALM DOWN.

1277
00:28:21,500 --> 00:28:22,433
NO, YOU DON'T TELL ME TO

1278
00:28:22,433 --> 00:28:23,100
[bleep] CALM DOWN.

1279
00:28:23,100 --> 00:28:23,900
I SAY WHAT THE [bleep] I

1280
00:28:23,900 --> 00:28:24,633
WANT TO SAY HOW I WANT TO SAY

1281
00:28:24,633 --> 00:28:25,800
IT, AND I'M HEATED RIGHT NOW, SO

1282
00:28:25,800 --> 00:28:26,467
I'MA SAY IT HOW I WANT

1283
00:28:26,467 --> 00:28:27,467
TO SAY IT.

1284
00:28:27,467 --> 00:28:29,600
I GO TO WORK EVERY DAY, AND NOT

1285
00:28:29,600 --> 00:28:30,900
BECAUSE I WANT TO DO--BECAUSE I

1286
00:28:30,900 --> 00:28:31,900
NEED TO.

1287
00:28:31,900 --> 00:28:33,533
BUT THEN HE GOES OUT AND BLOWS

1288
00:28:33,533 --> 00:28:35,133
ALL HIS MONEY AT THE CLUB.

1289
00:28:35,133 --> 00:28:36,067
I WANT THINGS TO WORK OUT

1290
00:28:36,067 --> 00:28:38,067
BETWEEN US, BUT SCRAPPY NEEDS TO

1291
00:28:38,067 --> 00:28:39,333
STEP UP AND BE A MAN.

1292
00:28:39,333 --> 00:28:40,567
FOR ME--I DIDN'T EVEN RESPECT

1293
00:28:40,567 --> 00:28:41,333
YOU AND NOTHING LIKE THAT.

1294
00:28:41,333 --> 00:28:42,333
I'M DONE WITH THIS CONVERSATION.

1295
00:28:42,333 --> 00:28:43,100
I DON'T CARE AT THIS POINT,

1296
00:28:43,100 --> 00:28:43,767
SCRAPPY.

1297
00:28:43,767 --> 00:28:45,900
I DON'T CARE.

1298
00:28:45,900 --> 00:28:47,133
YOU STILL SITTING RIGHT HERE.

1299
00:28:47,133 --> 00:28:48,067
IT'S VOILA MAGIIC.

1300
00:28:48,067 --> 00:28:48,767
IT'S VOILA MAGIC.

1301
00:28:48,767 --> 00:28:49,467
IT'S DONE.

1302
00:28:49,467 --> 00:28:50,167
WHAT'S DONE?

1303
00:28:50,167 --> 00:28:51,067
IT'S DONE--THE CONVERSATION

1304
00:28:51,067 --> 00:28:51,767
AND EVERYTHING.

1305
00:28:51,767 --> 00:28:52,433
IT'S DONE.

1306
00:28:52,433 --> 00:28:53,600
THAT SHOWS YOU WEAK.

1307
00:28:53,600 --> 00:28:54,533
YOU CAN'T DEAL WITH IT.

1308
00:28:54,533 --> 00:28:55,200
YOU BAD.

1309
00:28:55,200 --> 00:28:56,233
YOU HAVING A BAD DAY.

1310
00:28:56,233 --> 00:28:57,867
OH, I'M GOOD. I'M GOOD.

1311
00:28:57,867 --> 00:28:58,600
I'M GOOD.

1312
00:28:58,600 --> 00:29:00,233
KEEP WALKING. KEEP WALKING.

1313
00:29:00,233 --> 00:29:01,233
[confident hip-hop music]

1314
00:29:01,233 --> 00:29:08,567
♪

1315
00:29:08,567 --> 00:29:11,833
[horn honking]

1316
00:29:11,833 --> 00:29:12,967
I FINALLY FOUND OUT WHERE

1317
00:29:12,967 --> 00:29:14,267
STEVIE WAS STAYING, SO I DECIDED

1318
00:29:14,267 --> 00:29:17,067
TO TAKE HIM HIS [bleep].

1319
00:29:17,067 --> 00:29:19,067
I SHOULD'VE BURNED HIS STUFF,

1320
00:29:19,067 --> 00:29:20,333
BUT I DECIDED TO BE THE BIGGER

1321
00:29:20,333 --> 00:29:22,067
PERSON AND DROP IT OFF.

1322
00:29:22,067 --> 00:29:23,367
WHAT'S THIS?

1323
00:29:23,367 --> 00:29:24,933
SOME OF YOUR STUFF.

1324
00:29:24,933 --> 00:29:26,233
I JUST WANTED ANYTHING THAT

1325
00:29:26,233 --> 00:29:27,967
REMINDED ME OF HIM

1326
00:29:27,967 --> 00:29:29,533
OUT OF MY LIFE.

1327
00:29:29,533 --> 00:29:30,267
WHY YOU COMING OVER HERE

1328
00:29:30,267 --> 00:29:31,067
LIKE THIS?

1329
00:29:31,067 --> 00:29:31,733
THOUGHT YOU SHOULD HAVE

1330
00:29:31,733 --> 00:29:33,100
YOUR STUFF.

1331
00:29:33,100 --> 00:29:33,967
I UNDERSTAND WHY YOU FEELING

1332
00:29:33,967 --> 00:29:34,733
HOW YOU FEELING.

1333
00:29:34,733 --> 00:29:35,400
WHY IS THAT?

1334
00:29:35,400 --> 00:29:37,400
BECAUSE IT'S LIKE I'VE BEEN

1335
00:29:37,400 --> 00:29:38,600
DOING SOME RECKLESS [bleep].

1336
00:29:38,600 --> 00:29:39,267
MM-HMM.

1337
00:29:39,267 --> 00:29:40,800
BUT IT DOESN'T TAKE AWAY FROM

1338
00:29:40,800 --> 00:29:42,333
THE FACT THAT I STILL LOVE YOU.

1339
00:29:42,333 --> 00:29:43,733
AND I WANT TO MAKE SURE THAT WE

1340
00:29:43,733 --> 00:29:45,367
CAN GET ON A PAGE, ON SOME TYPE

1341
00:29:45,367 --> 00:29:46,333
OF PAGE TOGETHER.

1342
00:29:46,333 --> 00:29:48,067
YOU SPEND MORE TIME WITH THAT

1343
00:29:48,067 --> 00:29:49,100
BITCH THAN YOU DO ME

1344
00:29:49,100 --> 00:29:50,167
AND YOUR DAUGHTER.

1345
00:29:50,167 --> 00:29:50,967
YOU DON'T EVEN WANT TO BE

1346
00:29:50,967 --> 00:29:51,667
AROUND ME.

1347
00:29:51,667 --> 00:29:52,733
WHY NOT? WHY NOT?

1348
00:29:52,733 --> 00:29:54,333
'CAUSE YOU'RE AROUND THIS BITCH.

1349
00:29:54,333 --> 00:29:55,133
BECAUSE YOU STARTED...

1350
00:29:55,133 --> 00:29:56,500
I DON'T WANT TO BE WITH A MAN

1351
00:29:56,500 --> 00:29:57,867
THAT'S WITH A BITCH EVERY DAY.

1352
00:29:57,867 --> 00:29:58,800
YOU DO WAY MORE THAN WORK

1353
00:29:58,800 --> 00:29:59,467
WITH HER.

1354
00:29:59,467 --> 00:30:00,167
YOU MANAGE HER.

1355
00:30:00,167 --> 00:30:01,300
YOU MANAGE HER [bleep] [bleep],

1356
00:30:01,300 --> 00:30:02,333
HER ASS, AND EVERYTHING UNDER

1357
00:30:02,333 --> 00:30:03,467
THE [bleep] SUN.

1358
00:30:03,467 --> 00:30:04,567
THAT'S WHAT I DO?

1359
00:30:04,567 --> 00:30:05,467
YEAH, THAT'S WHAT YOU DO.

1360
00:30:05,467 --> 00:30:06,200
HOW YOU FIT THAT?

1361
00:30:06,200 --> 00:30:07,067
YOU GOT THE BITCH PREGNANT,

1362
00:30:07,067 --> 00:30:07,933
SO YEAH, THAT'S WHAT YOU DO.

1363
00:30:07,933 --> 00:30:08,633
I APOLOGIZED FOR THAT.

1364
00:30:08,633 --> 00:30:09,433
I'M SORRY.

1365
00:30:09,433 --> 00:30:10,567
IF I GOT PREGNANT BY THE NEXT

1366
00:30:10,567 --> 00:30:11,600
MAN, IS THAT GONNA FLY

1367
00:30:11,600 --> 00:30:12,333
WITH YOU?

1368
00:30:12,333 --> 00:30:13,167
YOU JUST GONNA SCREAM UNTIL

1369
00:30:13,167 --> 00:30:14,433
YOU JUST FEEL THE NEED TO STOP?

1370
00:30:14,433 --> 00:30:15,333
I WANT YOU TO UNDERSTAND

1371
00:30:15,333 --> 00:30:16,000
WHERE I'M COMING FROM.

1372
00:30:16,000 --> 00:30:16,667
I UNDERSTAND WHERE

1373
00:30:16,667 --> 00:30:17,367
YOU COMING FROM.

1374
00:30:17,367 --> 00:30:18,567
WHERE AM I COMING FROM THEN?

1375
00:30:18,567 --> 00:30:19,833
YOU'RE UPTIGHT. YOU'RE MAD.

1376
00:30:19,833 --> 00:30:20,700
"UPTIGHT" WOULD BE THE WRONG

1377
00:30:20,700 --> 00:30:22,000
[bleep] WORD TO USE FOR WHAT

1378
00:30:22,000 --> 00:30:22,800
I AM RIGHT NOW.

1379
00:30:22,800 --> 00:30:24,667
HOW YOU--HOW CAN WE GET THIS

1380
00:30:24,667 --> 00:30:25,700
ON THE PAGE WHERE WE CAN JUST

1381
00:30:25,700 --> 00:30:26,967
KEEP IT CALM AND COOL?

1382
00:30:26,967 --> 00:30:28,000
WHERE CAN WE START?

1383
00:30:28,000 --> 00:30:28,967
YOU TELL ME WHERE WE CAN GET

1384
00:30:28,967 --> 00:30:30,500
A STARTING POINT.

1385
00:30:30,500 --> 00:30:31,333
SOMEWHERE WE CAN SIT DOWN

1386
00:30:31,333 --> 00:30:32,433
WHERE YOU CAN'T YELL.

1387
00:30:32,433 --> 00:30:33,333
THEN WHAT?

1388
00:30:33,333 --> 00:30:34,033
FOR YOU TO SAY WHAT?

1389
00:30:34,033 --> 00:30:34,933
LET'S JUST TALK.

1390
00:30:34,933 --> 00:30:35,767
FOR ME TO SAY WHAT I NEED TO SAY

1391
00:30:35,767 --> 00:30:36,667
WITHOUT YOU SCREAMING.

1392
00:30:36,667 --> 00:30:37,833
I DON'T REACT WELL.

1393
00:30:37,833 --> 00:30:38,967
CAN WE SIT IN THE THERAPIST?

1394
00:30:38,967 --> 00:30:40,467
YOU KNOW WHAT, I DON'T--

1395
00:30:40,467 --> 00:30:41,333
NOW YOU TALKING.

1396
00:30:41,333 --> 00:30:42,133
YOU WANT TO GO IN FRONT OF

1397
00:30:42,133 --> 00:30:42,833
A THERAPIST?

1398
00:30:42,833 --> 00:30:43,533
YEAH.

1399
00:30:43,533 --> 00:30:44,333
I'MA TAKE HIM UP ON

1400
00:30:44,333 --> 00:30:45,900
THE OFFER SEEING A THERAPIST.

1401
00:30:45,900 --> 00:30:47,533
SOMETHING TELLS ME THAT

1402
00:30:47,533 --> 00:30:49,067
THE THERAPIST WILL THINK THAT

1403
00:30:49,067 --> 00:30:50,767
THIS IS JUST AS [bleep] UP

1404
00:30:50,767 --> 00:30:51,633
AS I DO.

1405
00:30:51,633 --> 00:30:53,000
OKAY, NOBODY TELL ME [bleep]

1406
00:30:53,000 --> 00:30:54,733
ABOUT YOU, ESPECIALLY NO BITCH

1407
00:30:54,733 --> 00:30:55,467
THAT'S ONLY KNOWN YOU FOR

1408
00:30:55,467 --> 00:30:56,500
A COUPLE OF MONTHS.

1409
00:30:56,500 --> 00:30:57,733
AND YOU TELL THAT [bleep] SHE

1410
00:30:57,733 --> 00:30:58,900
THREATEN ME AGAIN, WE GONNA HAVE

1411
00:30:58,900 --> 00:30:59,600
PROBLEMS.

1412
00:30:59,600 --> 00:31:00,533
WHAT DID SHE SAY TO YOU?

1413
00:31:00,533 --> 00:31:01,400
WHY DON'T YOU ASK HER WHAT

1414
00:31:01,400 --> 00:31:03,067
SHE SAID TO ME, 'CAUSE I HAVEN'T

1415
00:31:03,067 --> 00:31:04,733
DID [bleep] TO YOU OR HER.

1416
00:31:04,733 --> 00:31:06,333
SO IF ANYBODY NEEDS TO BE MAD OR

1417
00:31:06,333 --> 00:31:07,133
THREATENING ANYBODY,

1418
00:31:07,133 --> 00:31:08,433
IT SHOULD BE ME.

1419
00:31:08,433 --> 00:31:10,433
YOU'RE RIGHT.

1420
00:31:10,433 --> 00:31:11,733
HONESTLY, THE REASON WHY

1421
00:31:11,733 --> 00:31:12,900
STEVIE CAN'T SHAKE HIS ARTIST IS

1422
00:31:12,900 --> 00:31:14,200
BECAUSE IT'S TOO MUCH EMOTIONS

1423
00:31:14,200 --> 00:31:15,967
INVOLVED, AND HE GOT THIS BITCH

1424
00:31:15,967 --> 00:31:17,900
FEELING SO COMFORTABLE THAT SHE

1425
00:31:17,900 --> 00:31:18,733
FEEL LIKE SHE CAN SAY WHATEVER

1426
00:31:18,733 --> 00:31:20,200
TO ME, AND THAT'S A [bleep]

1427
00:31:20,200 --> 00:31:21,533
PROBLEM.

1428
00:31:21,533 --> 00:31:22,200
YOU GOT THIS BITCH

1429
00:31:22,200 --> 00:31:22,867
THREATENING ME.

1430
00:31:22,867 --> 00:31:23,667
I GOT HER THREATENING YOU?

1431
00:31:23,667 --> 00:31:24,333
YEAH, YOU GOT HER

1432
00:31:24,333 --> 00:31:25,067
THREATENING ME.

1433
00:31:25,067 --> 00:31:25,733
YOU THINK I ASKED HER TO

1434
00:31:25,733 --> 00:31:26,433
THREATEN MY FAMILY?

1435
00:31:26,433 --> 00:31:27,333
WAIT. WAIT. WAIT. WAIT. WAIT.

1436
00:31:27,333 --> 00:31:28,133
FIRST OF ALL, YOU SHOULD HAVE

1437
00:31:28,133 --> 00:31:29,067
THIS [bleep] ON CHECK.

1438
00:31:29,067 --> 00:31:30,133
THIS BITCH SHOULD NOT CALL ME,

1439
00:31:30,133 --> 00:31:31,167
TEXT ME, NOTHING.

1440
00:31:31,167 --> 00:31:32,333
YEAH, SO YOU GOT HER

1441
00:31:32,333 --> 00:31:33,600
THREATENING ME.

1442
00:31:33,600 --> 00:31:34,733
DON'T YOU EVEN.

1443
00:31:34,733 --> 00:31:35,867
YOU UP ON ME.

1444
00:31:35,867 --> 00:31:36,700
YOU MIGHT AS WELL LET ME

1445
00:31:36,700 --> 00:31:38,800
GET A KISS.

1446
00:31:38,800 --> 00:31:41,067
AS LONG AS THAT [bleep] WITH

1447
00:31:41,067 --> 00:31:44,600
THAT [bleep], YOU AND ME...

1448
00:31:46,367 --> 00:31:48,333
WHEN I DO SEE MIMI, IT'S LIKE

1449
00:31:48,333 --> 00:31:49,367
A BUNCH OF, "RAWR, RAWR,

1450
00:31:49,367 --> 00:31:50,733
[bleep], YOU [bleep].

1451
00:31:50,733 --> 00:31:51,800
YOU PIECE OF [bleep]."

1452
00:31:51,800 --> 00:31:53,500
YOU KNOW, IT'S EVERYTHING

1453
00:31:53,500 --> 00:31:54,633
AND THEN SOME.

1454
00:31:54,633 --> 00:31:55,833
BUT I'M WILLING TO DO WHATEVER

1455
00:31:55,833 --> 00:31:57,900
IT TAKES TO MAKE THINGS RIGHT.

1456
00:31:57,900 --> 00:31:59,533
I [bleep] HATE WHAT YOU DID

1457
00:31:59,533 --> 00:32:01,400
TO US.

1458
00:32:01,400 --> 00:32:02,900
[bleep] CAN'T BELIEVE

1459
00:32:02,900 --> 00:32:03,933
THIS [bleep].

1460
00:32:03,933 --> 00:32:06,967
[sobs]

1461
00:32:06,967 --> 00:32:08,967
[engine turns over]

1462
00:32:11,600 --> 00:32:12,767
WHY SHE DRIVING OVER

1463
00:32:12,767 --> 00:32:13,833
MY JOINTS?

1464
00:32:13,833 --> 00:32:15,833
YOU SHOULD'VE PICKED IT UP.

1465
00:32:22,867 --> 00:32:25,067
YOU THINK IT'S SOMEBODY ELSE?

1466
00:32:25,067 --> 00:32:25,700
I DON'T THINK

1467
00:32:25,700 --> 00:32:27,067
IT'S NOBODY ELSE.

1468
00:32:27,067 --> 00:32:28,933
HE'S NOT HAPPY WITH HIS LIFE.

1469
00:32:28,933 --> 00:32:31,500
HE JUST--ISSUES.

1470
00:32:31,500 --> 00:32:33,167
YOU HAVE NO RECEIPT!

1471
00:32:33,167 --> 00:32:34,933
[both talking over each other]

1472
00:32:34,933 --> 00:32:35,867
I GOT YOU ON TAPE!

1473
00:32:35,867 --> 00:32:37,533
DON'T YOU MAKE--DON'T YOU

1474
00:32:37,533 --> 00:32:39,533
EVER LIE ON ME.

1475
00:32:49,533 --> 00:32:51,167
AND I UNDERSTAND YOU HAVE TO

1476
00:32:51,167 --> 00:32:52,500
BE THERE FOR YOUR MAN, BUT I

1477
00:32:52,500 --> 00:32:54,067
JUST ASK THAT SHE AT LEAST BE

1478
00:32:54,067 --> 00:32:54,800
UNDERSTANDING.

1479
00:32:54,800 --> 00:32:56,067
THAT'S WHY AS BAD AS MY MOUTH

1480
00:32:56,067 --> 00:32:57,967
IS, I NEVER CAME BACK, 'CAUSE I

1481
00:32:57,967 --> 00:33:00,300
KNOW HOW MEN CAN SAY ANYTHING.

1482
00:33:00,300 --> 00:33:02,500
YOU NEVER REALLY KNOW.

1483
00:33:02,500 --> 00:33:04,567
UH-OH.

1484
00:33:04,567 --> 00:33:06,167
LATE, MAMA.

1485
00:33:06,167 --> 00:33:07,067
HI.

1486
00:33:07,067 --> 00:33:07,833
WHAT'S UP, HONEY BUN?

1487
00:33:07,833 --> 00:33:08,600
I WANTED TO MEET WITH

1488
00:33:08,600 --> 00:33:10,800
RASHEEDA AND K.MICHELLE TO TALK

1489
00:33:10,800 --> 00:33:12,467
TO THEM ABOUT, YOU KNOW, WHAT

1490
00:33:12,467 --> 00:33:13,167
WAS GOING ON WITH ME

1491
00:33:13,167 --> 00:33:13,833
AND SCRAPPY.

1492
00:33:13,833 --> 00:33:15,133
AND RASHEEDA BECAUSE HER AND

1493
00:33:15,133 --> 00:33:15,867
SCRAPPY ARE REALLY,

1494
00:33:15,867 --> 00:33:16,533
REALLY CLOSE.

1495
00:33:16,533 --> 00:33:17,200
THEY'RE LIKE BROTHER

1496
00:33:17,200 --> 00:33:18,600
AND SISTER, SO MAYBE SHE CAN

1497
00:33:18,600 --> 00:33:20,067
GIVE ME SOME INSIGHT AS TO

1498
00:33:20,067 --> 00:33:21,933
WHAT'S GOING ON IN HIS HEAD.

1499
00:33:21,933 --> 00:33:24,533
BOO, YOU A'IGHT.

1500
00:33:24,533 --> 00:33:26,067
GIVE US THE 100.

1501
00:33:26,067 --> 00:33:27,067
SCRAPPY CALLS ME.

1502
00:33:27,067 --> 00:33:27,967
HE WANTS TO MEET.

1503
00:33:27,967 --> 00:33:29,233
HE WANTS TO TALK.

1504
00:33:29,233 --> 00:33:32,133
I MEET WITH HIM, AND HE'S JUST

1505
00:33:32,133 --> 00:33:33,400
LIKE, "WELL, I CALLED YOU HERE

1506
00:33:33,400 --> 00:33:34,733
BECAUSE I DON'T WANT TO DO THIS

1507
00:33:34,733 --> 00:33:37,067
NO MORE."

1508
00:33:37,067 --> 00:33:37,700
WHAT?

1509
00:33:37,700 --> 00:33:38,700
I'M LIKE, "WHAT?"

1510
00:33:38,700 --> 00:33:40,100
"YOU WEREN'T THERE FOR ME WHEN I

1511
00:33:40,100 --> 00:33:42,267
HAD MY ASTHMA ATTACK.

1512
00:33:42,267 --> 00:33:43,233
YOU WENT TO WORK.

1513
00:33:43,233 --> 00:33:44,600
YOU PUT WORK BEFORE ME.

1514
00:33:44,600 --> 00:33:46,900
I WAS ON MY DEATHBED."

1515
00:33:46,900 --> 00:33:48,467
I'M THE ONE THAT PUSHED--LIKE,

1516
00:33:48,467 --> 00:33:49,567
I'M PUSHING, LIKE, HE NEEDS TO

1517
00:33:49,567 --> 00:33:50,833
GO TO THE HOSPITAL.

1518
00:33:50,833 --> 00:33:52,067
IT SOUNDS CRAZY FOR IT TO BE

1519
00:33:52,067 --> 00:33:54,867
ONE LITTLE SMALL THING ABOVE ALL

1520
00:33:54,867 --> 00:33:56,333
THE [bleep] YOU BEEN THROUGH.

1521
00:33:56,333 --> 00:33:57,333
AND YOU'D HAVE BEEN THROUGH--

1522
00:33:57,333 --> 00:33:58,233
AND THAT'S WHAT I--USUALLY

1523
00:33:58,233 --> 00:33:59,067
IT'S ONE THING.

1524
00:33:59,067 --> 00:34:00,500
AND JUST LAST WEEK,

1525
00:34:00,500 --> 00:34:01,233
YOU TEXTING ME.

1526
00:34:01,233 --> 00:34:01,900
YOU AT THE CLUB.

1527
00:34:01,900 --> 00:34:02,600
YOU AT THE VELVET ROOM.

1528
00:34:02,600 --> 00:34:03,400
IT'S 3:00 SOMETHING

1529
00:34:03,400 --> 00:34:04,067
IN THE MORNING.

1530
00:34:04,067 --> 00:34:04,700
"OH, I'M AROUND A MILLION

1531
00:34:04,700 --> 00:34:05,867
BAD [bleep], AND ALL I CAN THINK

1532
00:34:05,867 --> 00:34:06,700
ABOUT IS YOU."

1533
00:34:06,700 --> 00:34:08,500
THIS WAS LAST SUNDAY.

1534
00:34:08,500 --> 00:34:09,500
SO YOU JUST GOT A CHANGE

1535
00:34:09,500 --> 00:34:10,900
OF A HEART ALL OF A SUDDEN

1536
00:34:10,900 --> 00:34:11,967
A WEEK LATER?

1537
00:34:11,967 --> 00:34:13,767
IT PISSES ME OFF THAT ONE MINUTE

1538
00:34:13,767 --> 00:34:14,800
SCRAPPY WANTS TO BE WITH ME,

1539
00:34:14,800 --> 00:34:16,500
AND THE NEXT MINUTE HE DOESN'T.

1540
00:34:16,500 --> 00:34:18,833
AT THIS POINT, I DON'T KNOW IF I

1541
00:34:18,833 --> 00:34:20,067
CAN JUST DEAL WITH IT ANYMORE.

1542
00:34:20,067 --> 00:34:21,067
LIKE, I'M GONNA HONESTLY

1543
00:34:21,067 --> 00:34:21,767
BE DONE.

1544
00:34:21,767 --> 00:34:22,600
HE SAYS HE'S DONE,

1545
00:34:22,600 --> 00:34:23,500
AND HE COMES BACK.

1546
00:34:23,500 --> 00:34:24,733
LIKE, I'M GONNA REALLY BE DONE,

1547
00:34:24,733 --> 00:34:26,600
AND THERE'S NO COMING BACK.

1548
00:34:26,600 --> 00:34:27,467
I DON'T UNDERSTAND IT,

1549
00:34:27,467 --> 00:34:28,467
AND I KNOW THAT'S GOT TO BE

1550
00:34:28,467 --> 00:34:29,200
KILLING YOU.

1551
00:34:29,200 --> 00:34:30,533
IT'S GOT TO BE.

1552
00:34:30,533 --> 00:34:32,600
YOU THINK IT'S SOMEBODY ELSE?

1553
00:34:34,800 --> 00:34:36,433
HONESTLY, I DON'T THINK IT'S

1554
00:34:36,433 --> 00:34:37,767
NOBODY ELSE.

1555
00:34:37,767 --> 00:34:39,067
IT'S JUST HIM?

1556
00:34:39,067 --> 00:34:40,733
I THINK IT'S HIM.

1557
00:34:40,733 --> 00:34:41,967
SCRAPPY'S NOT HAPPY WITH

1558
00:34:41,967 --> 00:34:42,833
HISSELF.

1559
00:34:42,833 --> 00:34:44,700
HE'S NOT HAPPY WITH HIS LIFE.

1560
00:34:44,700 --> 00:34:47,067
HE JUST--ISSUES.

1561
00:34:47,067 --> 00:34:48,800
HE TALKING ABOUT EMOTIONS AND

1562
00:34:48,800 --> 00:34:50,433
AFFECTION, AND SOMETIMES I FEEL

1563
00:34:50,433 --> 00:34:52,067
LIKE, "MAN, YOU NEED TO MAN UP.

1564
00:34:52,067 --> 00:34:52,733
HELL."

1565
00:34:52,733 --> 00:34:53,400
RIGHT.

1566
00:34:53,400 --> 00:34:54,333
YOU MORE EMOTIONAL THAN ME,

1567
00:34:54,333 --> 00:34:55,233
AND I'M THE FEMALE.

1568
00:34:55,233 --> 00:34:56,067
[chuckling]

1569
00:34:56,067 --> 00:34:56,800
OKAY.

1570
00:34:56,800 --> 00:34:57,600
BUT YOU KNOW WHAT IT

1571
00:34:57,600 --> 00:34:58,367
SOUNDS LIKE?

1572
00:34:58,367 --> 00:34:59,433
YOU KNOW WHAT'S CRAZY--IT SOUNDS

1573
00:34:59,433 --> 00:35:01,433
LIKE THAT'S SOMETHING THAT HE

1574
00:35:01,433 --> 00:35:02,767
NEEDS TO LEARN, AND IT SOUNDS

1575
00:35:02,767 --> 00:35:04,067
LIKE YOU THE PERFECT PERSON TO

1576
00:35:04,067 --> 00:35:05,633
TEACH HIM, BUT HE DOESN'T ALLOW

1577
00:35:05,633 --> 00:35:06,567
YOU THAT.

1578
00:35:06,567 --> 00:35:07,400
GIRL, I DON'T THINK YOU NEED

1579
00:35:07,400 --> 00:35:08,400
TO TEACH HIM.

1580
00:35:08,400 --> 00:35:09,100
YOU KNOW WHAT I'M SAYING?

1581
00:35:09,100 --> 00:35:10,100
HIS MAMA--HIS MAMA WAS

1582
00:35:10,100 --> 00:35:11,233
SUPPOSED TO TEACH HIM THAT.

1583
00:35:11,233 --> 00:35:12,067
THAT'S TOO LATE.

1584
00:35:12,067 --> 00:35:13,067
IT'S TOO LATE.

1585
00:35:13,067 --> 00:35:14,633
HE IS ALWAYS--HE'S OUT OF

1586
00:35:14,633 --> 00:35:15,433
THE HOUSE.

1587
00:35:15,433 --> 00:35:17,233
HIS MAMA SHOULD--HIS MAMA STILL

1588
00:35:17,233 --> 00:35:17,933
BABY HIM.

1589
00:35:17,933 --> 00:35:19,700
SHE'S STILL AROUND BABYING HIM.

1590
00:35:19,700 --> 00:35:22,067
WHAT HIS MAMA NEEDS TO DO IS

1591
00:35:22,067 --> 00:35:24,067
SAY, "START AT POINT 'A' AND

1592
00:35:24,067 --> 00:35:25,233
TAKE IT ALL THE WAY TO 'Z,'"

1593
00:35:25,233 --> 00:35:26,400
BECAUSE HONESTLY, SHE SKIPPED

1594
00:35:26,400 --> 00:35:27,867
SOME STEPS ALONG THE WAY.

1595
00:35:27,867 --> 00:35:28,800
AND YOU AIN'T DONE.

1596
00:35:28,800 --> 00:35:30,067
DON'T TEACH HIM NOTHING.

1597
00:35:30,067 --> 00:35:31,600
TEACH HIM HOW TO LOOK AT YOUR

1598
00:35:31,600 --> 00:35:33,400
BUTT AND SAY, "GOOD-BYE."

1599
00:35:33,400 --> 00:35:34,733
GIVE HIM THE DEUCES.

1600
00:35:34,733 --> 00:35:36,733
[laughs]

1601
00:35:48,533 --> 00:35:49,233
SO YOU KNOW I CALLED

1602
00:35:49,233 --> 00:35:50,300
KARLIE DOWN.

1603
00:35:50,300 --> 00:35:51,800
SHE ALREADY DOWN HERE.

1604
00:35:51,800 --> 00:35:53,067
YOU AIN'T HAVE TO CALL THAT FOR.

1605
00:35:53,067 --> 00:35:54,367
I CALLED HER HERE JUST SO WE

1606
00:35:54,367 --> 00:35:56,067
CAN GET IT ON THE TABLE, 'CAUSE

1607
00:35:56,067 --> 00:35:57,167
I KNOW YOU GOT A FEW THINGS YOU

1608
00:35:57,167 --> 00:35:57,833
WANT TO SAY TO HER.

1609
00:35:57,833 --> 00:35:58,833
ABSOLUTELY.

1610
00:35:58,833 --> 00:36:00,067
SHE GOT SOME ISSUES.

1611
00:36:00,067 --> 00:36:01,567
I GOT A COUPLE ISSUES WITH HER.

1612
00:36:01,567 --> 00:36:02,400
AS LONG AS SHE DON'T GET IN

1613
00:36:02,400 --> 00:36:03,900
THE WAY OF MY GOOD COCKTAIL AND

1614
00:36:03,900 --> 00:36:05,167
MY MACARONI AND CHEESE,

1615
00:36:05,167 --> 00:36:06,200
'CAUSE THAT WHY I CAME HERE.

1616
00:36:06,200 --> 00:36:07,400
BUT I'MA SAY WHAT I NEED TO SAY

1617
00:36:07,400 --> 00:36:08,067
TO HER.

1618
00:36:08,067 --> 00:36:08,833
ABSOLUTELY.

1619
00:36:08,833 --> 00:36:09,967
HEY.

1620
00:36:09,967 --> 00:36:10,733
HEY, MISS REDD.

1621
00:36:10,733 --> 00:36:11,433
HOW ARE YOU?

1622
00:36:11,433 --> 00:36:12,267
I'M WONDERFUL.

1623
00:36:12,267 --> 00:36:14,833
AND YOURSELF?

1624
00:36:14,833 --> 00:36:15,500
HEY, BOO.

1625
00:36:15,500 --> 00:36:16,467
YOU LOOK CUTE.

1626
00:36:16,467 --> 00:36:17,433
THANK YOU.

1627
00:36:17,433 --> 00:36:18,100
UH-UH.

1628
00:36:18,100 --> 00:36:19,200
I DID NOT COME IN LOVE.

1629
00:36:19,200 --> 00:36:19,900
HAVE A SEAT.

1630
00:36:19,900 --> 00:36:21,067
[laughs]

1631
00:36:21,067 --> 00:36:22,067
WHAT'S THE DEAL?

1632
00:36:22,067 --> 00:36:22,933
GIRL, YOU LOOK LIKE YOU WAS

1633
00:36:22,933 --> 00:36:25,133
READY TO GO TO A RED CARPET

1634
00:36:25,133 --> 00:36:25,933
ON THE GRAMMY'S,

1635
00:36:25,933 --> 00:36:26,833
BUT THE KNOCK-OFF ONE.

1636
00:36:26,833 --> 00:36:27,833
IT'S NOT A GOOD DAY TO HATE,

1637
00:36:27,833 --> 00:36:28,533
TRUST ME.

1638
00:36:28,533 --> 00:36:29,633
I WOULD NEVER TRUST

1639
00:36:29,633 --> 00:36:31,967
THE WOMAN WITH A RHINESTONE

1640
00:36:31,967 --> 00:36:33,967
SNAKE AROUND HER NECK.

1641
00:36:33,967 --> 00:36:34,800
YOU CAN'T TRUST NO WOMAN

1642
00:36:34,800 --> 00:36:36,067
LIKE THAT.

1643
00:36:36,067 --> 00:36:37,567
SO WHAT'S UP, MAMA?

1644
00:36:37,567 --> 00:36:38,867
IT'S JUST BEEN A FEW THINGS

1645
00:36:38,867 --> 00:36:40,467
THAT HAVE BEEN SAID.

1646
00:36:40,467 --> 00:36:41,933
THE FIRST TIME I SAW YOU, YOU

1647
00:36:41,933 --> 00:36:43,267
DIDN'T KNOW THE SITUATION.

1648
00:36:43,267 --> 00:36:44,300
YOU HAD NO IDEA.

1649
00:36:44,300 --> 00:36:45,800
SECOND TIME I SAW YOU, YOU

1650
00:36:45,800 --> 00:36:46,867
SITTING AT THE TABLE AT HER

1651
00:36:46,867 --> 00:36:48,733
LISTENING PARTY, AND YOU TELLING

1652
00:36:48,733 --> 00:36:50,500
ME ABOUT THIS WOMAN.

1653
00:36:50,500 --> 00:36:51,767
BECAUSE EVERY TIME I SAW YOU,

1654
00:36:51,767 --> 00:36:54,700
ARIANE--IS IT ARIA, ARIEN,

1655
00:36:54,700 --> 00:36:55,400
WHATEVER HER NAME IS--

1656
00:36:55,400 --> 00:36:56,733
ARIANE.

1657
00:36:56,733 --> 00:36:57,533
YOU KNOW THAT GIRL NAME.

1658
00:36:57,533 --> 00:36:58,200
THAT'S MY FRIEND.

1659
00:36:58,200 --> 00:37:00,267
ARIANE--ARIANE--K.MICHELLE,

1660
00:37:00,267 --> 00:37:01,200
I'M TELLING YOU.

1661
00:37:01,200 --> 00:37:02,100
YOU WANT TO TAKE SHOTS?

1662
00:37:02,100 --> 00:37:03,633
I'MA TAKE SHOTS BACK.

1663
00:37:03,633 --> 00:37:06,400
WE COULD TAKE SHOTS ALL DAY.

1664
00:37:06,400 --> 00:37:07,700
YOU AIN'T TELLING ME NOTHING.

1665
00:37:07,700 --> 00:37:08,967
AND YOU ARE JEALOUS OF ME

1666
00:37:08,967 --> 00:37:10,067
BECAUSE OF WHAT?

1667
00:37:10,067 --> 00:37:11,100
WHY WOULD I BE JEALOUS?

1668
00:37:11,100 --> 00:37:11,933
YOU OLD AS [bleep].

1669
00:37:11,933 --> 00:37:13,067
YOU LOOK LIKE [bleep].

1670
00:37:13,067 --> 00:37:15,400
A 40-YEAR-OLD ASPIRING SINGER

1671
00:37:15,400 --> 00:37:16,667
WITHOUT A WIKIPEDIA PAGE.

1672
00:37:16,667 --> 00:37:17,667
YOU LOOK LIKE THE BOTTOM OF

1673
00:37:17,667 --> 00:37:18,700
MY SHOE.

1674
00:37:18,700 --> 00:37:19,800
I GOT MORE [bleep] UNDER MY BELT

1675
00:37:19,800 --> 00:37:21,067
THAN YOU WILL EVER HAVE.

1676
00:37:21,067 --> 00:37:21,933
'CAUSE YOU OLD ENOUGH, BITCH.

1677
00:37:21,933 --> 00:37:22,600
AND YOU'RE PSYCHO.

1678
00:37:22,600 --> 00:37:23,267
YOU'RE 40.

1679
00:37:23,267 --> 00:37:23,933
LOOK AT YOU.

1680
00:37:23,933 --> 00:37:24,667
YOU GOT ONE DEFLATED

1681
00:37:24,667 --> 00:37:25,500
ASS CHEEK.

1682
00:37:25,500 --> 00:37:26,200
WHOOP-WHOOP.

1683
00:37:26,200 --> 00:37:26,867
YOU'RE LIKE THIS.

1684
00:37:26,867 --> 00:37:28,400
POOP, POOP, PA, PA.

1685
00:37:28,400 --> 00:37:29,267
IT'S NOT WORKING.

1686
00:37:29,267 --> 00:37:30,067
PA, PA, PA.

1687
00:37:30,067 --> 00:37:31,933
IT DOESN'T HAVE TO WORK.

1688
00:37:31,933 --> 00:37:33,600
THE BITCH IS CRAZY.

1689
00:37:33,600 --> 00:37:34,600
SHE'S PSYCHO.

1690
00:37:34,600 --> 00:37:35,500
THAT'S WHY THEY PUT MENTAL

1691
00:37:35,500 --> 00:37:37,267
PEOPLE IN STRAITJACKETS.

1692
00:37:37,267 --> 00:37:38,567
BRING IT DOWN, 'CAUSE MY HEAD

1693
00:37:38,567 --> 00:37:39,667
WILL START SPINNING, AND I'LL

1694
00:37:39,667 --> 00:37:41,300
CHOP YOU IN YOUR TRACHEALA.

1695
00:37:41,300 --> 00:37:44,167
TRY IT.

1696
00:37:44,167 --> 00:37:45,467
[bleep] WITH ME IF YOU WANT TO.

1697
00:37:45,467 --> 00:37:46,200
IT'S NOT A GOOD DAY, OKAY?

1698
00:37:46,200 --> 00:37:47,500
WHOO!

1699
00:37:47,500 --> 00:37:48,600
THIS BITCH IS SHAKING

1700
00:37:48,600 --> 00:37:49,800
THE TABLE!

1701
00:37:49,800 --> 00:37:51,967
DON'T SHAKE UNLESS YOU READY TO

1702
00:37:51,967 --> 00:37:53,367
GET SHOOK.

1703
00:37:53,367 --> 00:37:54,933
YOU HAVE NO RECEIPT!

1704
00:37:54,933 --> 00:37:56,600
YOU [bleep] EVERYBODY IN

1705
00:37:56,600 --> 00:37:57,333
THE INDUSTRY!

1706
00:37:57,333 --> 00:37:58,133
YOU ARE VERY JEALOUS OF ME.

1707
00:37:58,133 --> 00:37:58,933
YOU HAVE NO RECEIPT!

1708
00:37:58,933 --> 00:38:01,200
[both talking over each other]

1709
00:38:01,200 --> 00:38:02,700
I GOT YOU ON TAPE!

1710
00:38:02,700 --> 00:38:03,900
DON'T MAKE UP NO [bleep]

1711
00:38:03,900 --> 00:38:04,733
ON ME, BITCH.

1712
00:38:04,733 --> 00:38:05,400
HEY!

1713
00:38:05,400 --> 00:38:07,300
DON'T YOU MAKE--DON'T YOU

1714
00:38:07,300 --> 00:38:08,400
EVER LIE ON ME.

1715
00:38:08,400 --> 00:38:10,400
DON'T VIOLATE ME!

1716
00:38:10,400 --> 00:38:12,100
I BEEN THROUGH TOO MUCH.

1717
00:38:12,100 --> 00:38:13,833
I'M NOBODY'S PUNK.

1718
00:38:13,833 --> 00:38:15,267
RUN FAR AWAY, 'CAUSE YOU'RE

1719
00:38:15,267 --> 00:38:16,400
[bleep]!

1720
00:38:16,400 --> 00:38:18,400
EVERY TIME I SEE YOU!

1721
00:38:18,400 --> 00:38:20,433
I DON'T LIKE HER.

1722
00:38:20,433 --> 00:38:24,267
EVERY TIME I SEE YOU!

1723
00:38:24,267 --> 00:38:25,533
SHE FELT LIKE YOU WERE BEING

1724
00:38:25,533 --> 00:38:27,600
INAPPROPRIATE AT HER FUNCTIONS,

1725
00:38:27,600 --> 00:38:28,400
AND--

1726
00:38:28,400 --> 00:38:29,233
I DON'T GIVE A [bleep] WHAT A

1727
00:38:29,233 --> 00:38:30,167
BITCH GOT TO SAY.

1728
00:38:30,167 --> 00:38:31,533
ONCE YOU PUT YOUR HANDS ON ME,

1729
00:38:31,533 --> 00:38:33,633
I WILL BE AT YOUR HOUSE TODAY!

1730
00:38:33,633 --> 00:38:34,767
YOU GOT TO ARREST ME TODAY,

1731
00:38:34,767 --> 00:38:35,933
TRUST ME.

1732
00:38:35,933 --> 00:38:37,400
TRUST ME, YOU GOT TO ARREST ME

1733
00:38:37,400 --> 00:38:41,900
TODAY.

1734
00:38:41,900 --> 00:38:42,667
YOU'RE [bleep] WITH

1735
00:38:42,667 --> 00:38:43,567
THE WRONG BITCH!

1736
00:38:43,567 --> 00:38:44,300
TRUST ME!

1737
00:38:44,300 --> 00:38:45,333
MIMI, YOU BETTER TELL 'EM!

1738
00:38:45,333 --> 00:38:46,667
BITCH, SHUT YOUR ASS UP!

1739
00:38:46,667 --> 00:38:47,567
YOU STUPID BITCH!

1740
00:38:47,567 --> 00:38:48,367
YOU AIN'T GONNA DO [bleep]!

1741
00:38:48,367 --> 00:38:49,467
I'M FROM MEMPHIS!

1742
00:38:49,467 --> 00:38:50,467
I NEED TO [bleep] WHIP THIS

1743
00:38:50,467 --> 00:38:51,500
BITCH ASS!

1744
00:38:51,500 --> 00:38:53,300
OKAY, I'M NOT GONNA PLAY THEM

1745
00:38:53,300 --> 00:38:53,967
GAMES.

1746
00:38:53,967 --> 00:38:54,633
I'M FROM MEMPHIS.

1747
00:38:54,633 --> 00:38:56,567
I DON'T PLAY THAT, CARLOS.

1748
00:38:56,567 --> 00:38:57,467
I JUST WANTED TO COME OUT

1749
00:38:57,467 --> 00:38:59,100
THE BATHROOM, AND I WANTED TO

1750
00:38:59,100 --> 00:39:00,867
APOLOGIZE FOR MY NAPKIN.

1751
00:39:00,867 --> 00:39:02,467
EXCUSE ME, ME AND MY NAPKIN

1752
00:39:02,467 --> 00:39:04,567
APOLOGIZE TO YOU AND YOUR LUMP.

1753
00:39:04,567 --> 00:39:05,733
SEE THESE CRIES ON HERE?

1754
00:39:05,733 --> 00:39:07,067
THEY COME FROM ANGER THAT I

1755
00:39:07,067 --> 00:39:09,067
CANNOT BEAT THIS BITCH ASS

1756
00:39:09,067 --> 00:39:10,100
RIGHT NOW.

1757
00:39:10,100 --> 00:39:12,267
YOU KNOW ME, MIMI.

1758
00:39:12,267 --> 00:39:13,433
SHE FELT LIKE YOU WERE BEING

1759
00:39:13,433 --> 00:39:15,100
INAPPROPRIATE AT HER FUNCTIONS,

1760
00:39:15,100 --> 00:39:16,267
AND--

1761
00:39:16,267 --> 00:39:17,133
I DON'T GIVE A [bleep] WHAT A

1762
00:39:17,133 --> 00:39:18,067
BITCH GOT TO SAY.

1763
00:39:18,067 --> 00:39:19,400
ONCE YOU PUT YOUR HANDS ON ME,

1764
00:39:19,400 --> 00:39:21,533
I WILL BE AT YOUR HOUSE TODAY!

1765
00:39:21,533 --> 00:39:22,567
'CAUSE ONCE YOU PUT YOUR HANDS

1766
00:39:22,567 --> 00:39:24,167
ON ME, IT IS OVER!

1767
00:39:24,167 --> 00:39:25,633
BETTER LUCK NEXT TIME.

1768
00:39:25,633 --> 00:39:26,967
MAYBE SHE WON'T SHAKE A TABLE

1769
00:39:26,967 --> 00:39:27,967
NO MORE.

1770
00:39:27,967 --> 00:39:30,400
MAYBE SHE WON'T LIE ON ME.

1771
00:39:30,400 --> 00:39:31,300
MAYBE SHE WON'T CALL ME

1772
00:39:31,300 --> 00:39:32,833
ON MY NIGHT.

1773
00:39:32,833 --> 00:39:33,467
WE GONNA SEE EACH OTHER

1774
00:39:33,467 --> 00:39:35,067
AGAIN.

1775
00:39:35,067 --> 00:39:36,300
WE GONNA SEE EACH OTHER AGAIN.

1776
00:39:36,300 --> 00:39:37,633
YOU GOT TO ARREST ME TODAY,

1777
00:39:37,633 --> 00:39:38,733
TRUST ME.

1778
00:39:38,733 --> 00:39:40,133
TRUST ME, YOU GOT TO ARREST ME

1779
00:39:40,133 --> 00:39:42,133
TODAY.

1780
00:39:45,233 --> 00:39:47,233
ON THE NEXT LOVE and HIP-HOP

1781
00:39:47,233 --> 00:39:48,233
ATLANTA...

1782
00:39:48,233 --> 00:39:49,367
I'M MORE SEASONED IN THIS

1783
00:39:49,367 --> 00:39:50,067
GAME THAN YOU.

1784
00:39:50,067 --> 00:39:51,233
THAT'S WHAT YOU THINK, BABY.

1785
00:39:51,233 --> 00:39:52,067
YOU DON'T KNOW ME.

1786
00:39:52,067 --> 00:39:52,967
I GOOGLED YOUR NAME.

1787
00:39:52,967 --> 00:39:54,233
A VINEGAR POPPED UP,

1788
00:39:54,233 --> 00:39:55,400
A BRAND OF VINEGAR.

1789
00:39:55,400 --> 00:39:56,567
K.MICHELLE DOES NOT HAVE

1790
00:39:56,567 --> 00:39:58,100
THE ABILITY OF HAVING ANY ADULT

1791
00:39:58,100 --> 00:39:59,267
CONVERSATION.

1792
00:39:59,267 --> 00:40:00,433
GET THE [bleep] OUT.

1793
00:40:00,433 --> 00:40:03,667
I LIKE YOUR PINK DRESS.

1794
00:40:03,667 --> 00:40:04,933
WHAT'S GOING ON WITH YOU

1795
00:40:04,933 --> 00:40:06,267
AND KARLIE?

1796
00:40:06,267 --> 00:40:07,367
LIKE, NO JOKE, SHE'S A REAL

1797
00:40:07,367 --> 00:40:08,700
HUMBLE PERSON.

1798
00:40:08,700 --> 00:40:09,767
I'M GONNA MEET HER FAMILY SOON.

1799
00:40:09,767 --> 00:40:10,600
OH, WOW.

1800
00:40:10,600 --> 00:40:11,400
YEAH.

1801
00:40:11,400 --> 00:40:12,933
WHOO.

1802
00:40:12,933 --> 00:40:15,100
I NEVER KNEW JOSELINE, SHE

1803
00:40:15,100 --> 00:40:16,000
THREATENED MIMI MORE.

1804
00:40:16,000 --> 00:40:16,800
FOR WHAT?

1805
00:40:16,800 --> 00:40:17,700
ARE Y'ALL STILL [bleep] AROUND?

1806
00:40:17,700 --> 00:40:19,033
OCCASIONALLY, I TAKE A DIP

1807
00:40:19,033 --> 00:40:20,633
BACK IN THERE.

1808
00:40:20,633 --> 00:40:22,067
THE PROBLEM IS STEVIE AND HIS

1809
00:40:22,067 --> 00:40:23,367
LYING ASS.

1810
00:40:23,367 --> 00:40:25,767
HE JUST A RABBIT.

1811
00:40:25,767 --> 00:40:27,600
HE HAS A WAY OF TELLING YOU ONE

1812
00:40:27,600 --> 00:40:28,633
THING, TELLING ME ONE THING,

1813
00:40:28,633 --> 00:40:30,033
AND TELLING EVERYBODY ELSE ONE

1814
00:40:30,033 --> 00:40:32,000
THING, AND PLAYING EVERYBODY.

1815
00:40:32,000 --> 00:40:34,767
YOU STILL GONNA...

1816
00:40:34,767 --> 00:40:35,867
LOOK OUT FOR ME ON THAT CHILD

1817
00:40:35,867 --> 00:40:36,733
SUPPORT?

1818
00:40:36,733 --> 00:40:37,833
I ASKED YOU FOR SOME MONEY

1819
00:40:37,833 --> 00:40:38,533
AND I STILL HAVE YET

1820
00:40:38,533 --> 00:40:39,600
TO RECEIVE IT.

1821
00:40:39,600 --> 00:40:40,800
I AIN'T GET AROUND TO IT.

1822
00:40:40,800 --> 00:40:42,200
YOU'RE NOT TAKING HIM

1823
00:40:42,200 --> 00:40:43,000
OFF CHILD SUPPORT.

1824
00:40:43,000 --> 00:40:44,400
HE IS GONNA DO WHAT HE'S

1825
00:40:44,400 --> 00:40:45,333
SUPPOSED TO DO.

1826
00:40:45,333 --> 00:40:47,567
I'M GOING TO HAVE A MEETING

1827
00:40:47,567 --> 00:40:49,533
WITH OUTSIDE MANAGEMENT.

1828
00:40:49,533 --> 00:40:51,367
MMM, EUGH.

1829
00:40:51,367 --> 00:40:53,200
YOU'RE THE TALENT.

1830
00:40:53,200 --> 00:40:54,333
AND THEY WOULDN'T BE IN THAT

1831
00:40:54,333 --> 00:40:55,733
ROLE WITHOUT YOU, AND THAT'S

1832
00:40:55,733 --> 00:40:57,400
WHAT YOU HAVE TO UNDERSTAND.

1833
00:40:57,400 --> 00:40:58,300
I'M ABOUT TO GET FIRED,

1834
00:40:58,300 --> 00:40:59,433
IS WHAT YOU'RE TELLING ME.

1835
00:40:59,433 --> 00:41:00,867
THE PERSON WHO PUT THEIR LIFE ON

1836
00:41:00,867 --> 00:41:02,567
THE LINE FOR YOU FOR 17 YEARS.

1837
00:41:02,567 --> 00:41:03,400
YOU'RE GONNA TELL ME YOU'RE

1838
00:41:03,400 --> 00:41:04,433
GONNA FIRE ME?

1839
00:41:04,433 --> 00:41:05,233
WELL, I DON'T WANT TO

1840
00:41:05,233 --> 00:41:08,067
SAY THAT.

1841
00:41:08,067 --> 00:41:10,067
[sobbing]